Ron Stallworth, an African American police officer from Colorado Springs, CO, successfully manages to infiltrate the local Ku Klux Klan branch with the help of a Jewish surrogate who eventually becomes its leader. Based on actual events.
In early 18th century England, a frail Queen Anne occupies the throne and her close friend, Lady Sarah, governs the country in her stead. When a new servant, Abigail, arrives, her charm endears her to Sarah.
The story of Dick Cheney, an unassuming bureaucratic Washington insider, who quietly wielded immense power as Vice President to George W. Bush, reshaping the country and the globe in ways that we still feel today.
In the early 1970s, Ron Stallworth is hired as the first black officer in the Colorado Springs, Colorado police department. Stallworth is initially assigned to work in the records room, where he faces racial slurs from his coworkers. Stallworth requests a transfer to go undercover, and is assigned to infiltrate a local rally at which national civil rights leader Kwame Ture (birth name Stokely Carmichael) is to give a speech. At the rally, Stallworth meets Patrice Dumas, the president of the black student union at Colorado College. While taking Ture to his hotel, Patrice is stopped by patrolman Andy Landers, a corrupt, racist officer in Stallworth's precinct, who threatens Ture and sexually assaults Patrice..
Towards the end of the film during the car pursuit sequence, a vehicle quickly rounds a bend in a sweeping crane shot. A jump cut is clearly visible during this shot (presumably from stitching two takes together) and then there's an immediate cut to a take from inside the car rounding the same bend again.
In this second shot, one can clearly see the entire technocrane thru the car window as it passes thru the shot - in addition to roughly 15 obvious crew members standing around it. See more »
Dr. Kennebrew Beauregard:
Hello, my fellow Americans. They say we may have lost the battle but we didn't lose the war. Yes, my friends, we are under attack. You may have read about this in your local newspapers or seen it on the evening news. That's right. We are living in an era marked by the spread of integration and miscegenation. The Brown decision. The Brown decision, forced upon us by the Jewish-controlled puppets on the U.S. Supreme Court, compelling white children to go to school with an inferior ...
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Too Late to Turn Back Now
Written by Eddie Cornelius
Performed by The Cornelius Brothers (as Cornelius Brothers) & Sister Rose
Courtesy of Capitol Records
Under License from Universal Music Enterprises See more »
Every year I make a point of watching each of the Best Picture nominees for the Academy Awards before the ceremony airs. And every year I'm astonished at some of the films that are considered to be the "best" of the previous year. 'BlacKkKlansman' is a prime example of this. Is it a bad film? No. Is it a good film? Sure. But is it a great film and one of the eight best released in 2018? Not in this lifetime. Sadly I understand a lot of politics come into the Oscars and I think that is a large part of what is at play here. This is a heavily politically driven film that tugs at the heart-strings of just the right type of people that dominate Hollywood and the Academy. For that reason it gets a nomination. Not because it is a great film.
Adam Driver has been nominated for Best Supporting Actor at the Academy Awards as well. This was also a baffling one to me. His performance is good and highly watchable, but he never blew me away by any stretch of the imagination. I kept waiting for him to be given one big scene he could really shine through and knock the audiences socks off with, but it never came. A really bizarre nomination from the Academy I would find it extremely surprising if he got the win for this reason.
The film was actually very similar to the 2016 film 'Imperium' starring Daniel Radcliffe. Obviously it didn't have the twist of a black man being behind the infiltration, but a lot of the actual person to person undercover scenes were very similar in nature. I think I enjoyed that film more though because it was more interested in telling you a story, instead of ramming a view down your throat. I also thought the real-life footage shown at the end of 'BlacKkKlansman' was cheap and out of place. A very tacky decision by Spike Lee to throw that in there. I miss the days from the 90s when if a film was nominated for Best Picture you could be assured it was a truly brilliant film. This film doesn't even compare to those.
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