Pose is set in the world of 1987 and "looks at the juxtaposition of several segments of life and society in New York: the rise of the luxury universe, the downtown social and literary scene and the ball culture world."
Chef's Table goes inside the lives and kitchens of six of the world's most renowned international chefs. Each episode focuses on a single chef and their unique look at their lives, talents and passion from their piece of culinary heaven.
More than a decade after the original series went off the air, Netflix reboots the "Queer Eye" franchise with a new Fab Five and a new setting, trading in the concrete jungle of New York City for communities in and around Atlanta. The style experts forge relationships with men and women who often have different beliefs from them, leading to moments of social commentary interspersed with style advice. Advising people in need of lifestyle makeovers are food and wine specialist Antoni Porowski, interior designer Bobby Berk, grooming consultant Jonathan Van Ness, fashion designer Tan France and culture expert Karamo Brown, who reality TV fans may recognize as one of the housemates on "The Real World (1992): Philadelphia." David Collins, who created the original Queer Eye (2003) show, is on board as an executive producer.Written by
all the negative reviews have something in common.
The small handful of negative reviews I've read seem to take issue with Jonathan's flamboyancy, but a lot of these critics are self-proclaimed gay men who have a problem with "negative gay stereotypes." I'm here to tell you there is nothing innately negative about flamboyancy other than the fact that our society deemed all things associated with femininity as inferior. In other words, those reviewers are projecting their own self-hate and internalized homophobia onto this show, and their reviews reflects their own baggage, NOT the quality of the show. So what if Jonathan is a bit extra? If you can't learn to find him endearing, admire his unapologetic courage, or appreciate how he really rounds out the spectrum of masculinity displayed on the cast, you won't see how much of an essential part he is to the show's theme of acceptance in the diversity of people.
That aside, the design transformations are aesthetically on point, incredibly tasteful and thoughtfully custom-tailored to the hero subjects. And, the best part is, the show has a lot of heart. It is uplifting and motivating--it transcends outer beauty as it promotes self-care, self-respect, self-confidence and self-worth, but also love and acceptance in a toxic culture. It's a feel-good without the escapism which makes for a cathartic viewing experience.
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