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The Gospel According to André (2017)

PG-13 | | Documentary | 25 May 2018 (USA)
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2:38 | Trailer
From the segregated American South to the fashion capitals of the world, operatic fashion editor André Leon Talley's life and career are on full display, in a poignant portrait that ... See full summary »

Director:

Kate Novack
2 nominations. See more awards »

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Cast

Cast overview, first billed only:
André Leon Talley ... Himself
Bethann Hardison Bethann Hardison ... Herself (archive footage)
Marc Jacobs ... Himself
Anna Wintour ... Herself
Tom Ford ... Himself
Eboni Marshall Turman Eboni Marshall Turman ... Herself
Bruce Weaver Bruce Weaver ... Himself
Alexis Thomas Alexis Thomas ... Herself
Anne Bibby Anne Bibby ... Herself
Michelle Obama ... Herself (archive footage)
Tamron Hall ... Herself
Wanda Garrett Wanda Garrett ... Herself
Julia Child ... Herself (archive footage)
Martin Luther King ... Himself (archive footage)
Barbra Streisand ... Herself (archive footage)
Edit

Storyline

From the segregated American South to the fashion capitals of the world, operatic fashion editor André Leon Talley's life and career are on full display, in a poignant portrait that includes appearances by Anna Wintour, Marc Jacobs, Tom Ford, Bethann Hardison, Valentino, and Manolo Blahnik.

Plot Summary | Add Synopsis

Taglines:

A Film About Andre Leon Talley

Genres:

Documentary

Motion Picture Rating (MPAA)

Rated PG-13 for some thematic and suggestive content | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

25 May 2018 (USA) See more »

Also Known As:

The Gospel According to André See more »

Filming Locations:

Durham, North Carolina, USA

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Box Office

Opening Weekend USA:

$47,802, 27 May 2018

Gross USA:

$400,713

Cumulative Worldwide Gross:

$454,550
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Color:

Color
See full technical specs »

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User Reviews

 
a big man with big talent
8 June 2018 | by ferguson-6See all my reviews

Greetings again from the darkness. Being an expert, or even a genius, in one's chosen field doesn't necessarily translate to celebrity or a life in the public eye. Few of us can name the best structural engineer or the best commercial airline pilot, yet we regularly drive over bridges and book flights to our vacation spots. However some professions lend themselves to a bit of fame ... and that's either a burden or an opportunity depending on perspective.

Director Kate Novack (writer of PAGE ONE: INSIDE THE NEW YORK TIMES, 2011) focuses her camera on one who seized the opportunity. Andre Leon Talley was raised in the Jim Crow South of North Carolina and rose up to become a literal giant in the fashion industry. It's mostly a biopic of a fascinating, larger than life figure, but also a quasi-history of the fashion industry since the 1970's. Andre crossed paths with all of the greats, and many of them are interviewed here: Marc Jacobs, Anna Wintour, Tom Ford, Valentino, Fran Leibowitz, Manolo Blahnik, and Isabella Rossellini - along with her pigs, a chicken and a turkey. We learn that he worked for Andy Warhol, was mentored by Diana Vreeland, and worked alongside Anna Wintour (teaching her as much as he learned).

"Fashion is fleeting, style remains." So Andre tells us as the film begins. He knows the difference between the two, and understands that beauty comes in many forms. Certainly the first, and often the only black man on the front row of runways in Paris and New York, Andre has lived quite the life. Director Novack's film is at its best when Andre is front and center. He commands attention with his size, his clothes, his voice, his charisma, and mostly his talent. Claiming his eye developed watching the Sunday fashions at the black church of his youth, we also learn young Andre preferred shopping to attending a ballgame with his taxi-driving father.

Thin until age 40, Andre now describes himself as a manatee. The racism he faced within the industry is vivid as he recalls being called "Queen Kong". Sometimes criticized for not taking a more active and vocal stance against racism, Andre simply proclaims that he was too busy with his career ... his same reason for having 'no love life'. The emotional moments of his recollections fade quickly in the segments where he discusses capes, and later veils. His expertise is on full display.

Looming over much of the film is the backdrop of the 2016 Presidential election. It's often distracting, but does lead to one of the more powerful moments. This verbose, grandiose couture figure is stunned and mostly at a loss for words as Donald Trump takes his oath. For most of the film and for most of his life, Andre has talked the talk and walked the walk - and continued talking while he walked. As one of style and influence, he has plenty to say and there's a reason for us to listen.


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