As the Allies sweep across Germany, Lore leads her siblings on a journey that exposes them to the truth of their parents' beliefs. An encounter with a mysterious refugee forces Lore to rely on a person she has always been taught to hate.
Laura, a Spanish woman living in Buenos Aires, returns to her hometown outside Madrid with her two children to attend her sister's wedding. However, the trip is upset by unexpected events that bring secrets into the open.
Young artist Kurt Barnert (Tom Schilling) has fled to West-Germany, but he continues to be tormented by the experiences he made in his childhood and youth in the Nazi years and during the GDR-regime. When he meets the student Ellie (Paula Beer), he is convinced that he has met the love of his life and begins to create paintings that mirror not only his own fate, but also the traumas of an entire generation.Written by
Wiedemann & Berg Film
One of three foreign language films to be nominated for the Academy Award for Best Cinematography in the same year, the other two being Roma (2018) and Cold War (2018). This is the first time in Oscar history that three out of the five nominees were foreign films. All three films were also nominated for Best Foreign Language Film. See more »
The signage on the pillar on the left to the stair in the Düsseldorf women's hospital says "Chirugie" where it correctly should be "Chirurgie". See more »
You're so beautiful, it's almost unromantic. It's far too easy to love you. Do you love me? Do you love me? Otherwise it doesn't work for me. Without love, it won't work.
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Inspired by the life of one artist and stories by others, this tale of fiction asks artists what is their truth, and how they are able to reveal it. Along the way, it shows how Nazi and Soviet art have strong similarities in their realisms, while modern art can be conceptual jokes.
The humans are 2 families who, if they knew, were on opposite sides during the Nazi era. The artist / husband's father suffered both ways as joining the Nazis too late, while his beloved aunt was sent away by his father-in-law, eventually to the gas chambers. But the father-in-law spends his post-war life in fear of Nazi hunters, even as he hides in plain sight.
Featuring a strong cast and realistic sets, this is a strong movie. Still, from the director's Q+A from the Toronto International Film Festival, the idea of subjective truth that also infuses the film can be a distraction.
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