In early 18th century England, a frail Queen Anne occupies the throne and her close friend, Lady Sarah, governs the country in her stead. When a new servant, Abigail, arrives, her charm endears her to Sarah.
Based on the best-selling pair of memoirs from father and son David and Nic Sheff, Beautiful Boy chronicles the heartbreaking and inspiring experience of survival, relapse, and recovery in a family coping with addiction over many years.
Felix van Groeningen
Jack Dylan Grazer
The story of Dick Cheney, an unassuming bureaucratic Washington insider, who quietly wielded immense power as Vice President to George W. Bush, reshaping the country and the globe in ways that we still feel today.
Set in contemporary Chicago, amid a time of turmoil, four women with nothing in common except a debt left behind by their dead husbands' criminal activities, take fate into their own hands, and conspire to forge a future on their own terms.
One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the frontline of conflicts across the globe to give voice to the voiceless.
Lee Israel (Melissa McCarthy) made her living in the 1970s and '80s profiling the likes of Katharine Hepburn, Tallulah Bankhead, Estee Lauder and journalist Dorothy Kilgallen. When Lee is no longer able to get published because she has fallen out of step with current tastes, she turns her art form to deception, abetted by her loyal friend Jack (Richard E. Grant). An adaptation of the memoir "Can You Ever Forgive Me?" relays the true story of the best-selling celebrity biographer (and friend to cats).Written by
Fox Searchlight Pictures
Richard E. Grant was recording an interview with Terry Gross for her National Public Radio program "Fresh Air" when Gross was the one who informed his that he had just been nominated for a SAG Award: "GROSS: I want to take a short break here and then talk with you some more. So if you're just joining us, my guest is Richard E. Grant. And he stars with Melissa McCarthy in the film Can You Ever Forgive Me? He won the New York Film Critics Circle Award for it, the San Diego Film Critics Society. Now he's nominated for a Golden Globe, an Independent Spirit Award and others as well. Oh, you just got nominated for a SAG. My producer just told me you're nominated for a SAG Award. GRANT: Wow. Wow. That's amazing. GROSS: Did you not know that? GRANT: No, how would I know that? GROSS: Oh, congratulations! GRANT: I've been talking to you. Sorry, I'm talking to you, so I had no idea. Goodness me. Thank you. GROSS: Oh, I'm sorry. I'm taking you away from the big news. Do you want to check your phone for a second and see? GRANT: I'm sure my daughter might have texted me. Can I just... GROSS: Sure. (Laughter) Take a break. GRANT: Let's have a look. Oh, wow, and Melissa has got one too. That's fantastic. Wow. God, I'm absolutely thrilled. Goodness me. There's nothing like the approbation of your own peers. GROSS: No, no. I know. I know. GRANT: Wow. You've got me at a emotional moment here. I never thought this would happen to me. Thank you. GROSS: Now that we've heard that good news, we're going to take the real break (laughter). And after we take a short break, I'll be back with Richard E. Grant. This is FRESH AIR." See more »
Rolled thermal fax paper would have been used for the fax machines, not plain paper as represented in the time period of the movie. Plain paper fax machines did not come into use until much later. See more »
Closing credits appear onscreen as if typewritten. See more »
Ahead of the film's release in Australia, the distributor chose to pre-cut the film in order to obtain an M classification. These changes removed detail of hard drug misuse (cocaine snorting) through re-framing, and also removed the film's sole use of very strong language by re-dubbing the term with a milder phrase. The uncut international version was later approved for a DVD/Video release with an uncut MA15+ classification. See more »
Melissa McCarthy is not known for her dramatic roles, but this film might change that. It's the gripping story of Lee Israel, a struggling Manhattan writer who in the early 1990s undertook the extraordinary step of falsifying letters from famous people to make ends meet.
McCarthy is an eye-opener here as the hard-drinking, acid-tongued Israel, a miserable middle-aged woman who sought friendship in precious few souls, one of them being a mysterious figure on the Upper West Side portrayed with fierce verve by Richard E. Grant, who winds up becoming something of an accomplice to her enterprise. She is desperate to pay her bills. His murky story becomes more known as the film progresses. The two of them are an odd couple, as they both have setbacks and misery to look back upon, but their pessimism and misanthrope are not equally shared.
This film will offer a glimpse of nostalgia for anyone who remembers New York in a now quaint era, when struggling writers still lived as adults in Manhattan, when life was endearingly bleak and bookstores were not yet massive chains. That sense of atmosphere I greatly admire. Recommended to anyone who enjoys a scathing story of literary scheming.
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