A mysterious outsider's quiet life is turned upside down when he returns to his childhood home to carry out an act of vengeance. Proving himself an amateur assassin, he winds up in a brutal fight to protect his estranged family.
A band straying into a secluded part of the Pacific Northwest stumbles onto a horrific act of violence. Because they are the only witnesses, they become the targets of a terrifying gang of skinheads who want to make sure all the evidence is eliminated.Written by
The stance of the machete wielder in the poster references The Clash's "London Calling" album cover with bassist Paul Simonon smashing his bass on stage. See more »
The wounds on Pat's arms were so deep that he would have bled out before the end of the film. While the duct tape used could has closed minor lacerations, the wounds shown were so deep that they would struck bone thus cutting arteries and veins. See more »
Written by Lee Ving
Performed by Fear
Published by Toxic Tunes / Range War Music (BMI)
Courtesy of Lee Ving See more »
White Knuckle filmmaking at its best
First off, want to say R.I.P Anton Yelchin. Such a tragedy for someone so young and promising to pass. He was incredible in this, I felt he was really coming into his own as an actor. --- After watching Saulnier's excellent and understated Blue Ruin, the director immediately became one to watch out for. A director that knows how to direct characters with subtlety and nuance, but with intensity and brutality as well.
Green Room is perhaps the most stressed out I've ever been watching a film, and if I'm not clear, that's actually a good thing. Few films ever get such a visceral reaction out of me, but Green Room managed to do that, and then some, delivering on many fronts as a contender for my favorite film of the year. Since the beginning of the year, A24 has been unstoppable, putting out some of the most unique and incredible genre movies to be released in quite some time.
Green Room is certainly violent and grim. Its sense of dread and brutality is unending and relentless, yet never overstays its welcome or becomes cartoonish or fetishistic. It could've very easily gone into Saw, Hostel or Martyrs territory, letting the bloodshed become the most memorable aspect of the experience, but it did something much more. Not only does the brutality feel real and impactful, unlike the aforementioned films, the characters feel totally believable and genuine, completely immersed in their roles. The protagonists are naive and brash, yet fresh and relatable delinquents. The antagonists are subdued, quiet and strategic, yet animalistic and complex. From a character standpoint, it is such a welcome and ultimately more human change of pace.
For a movie so steeped in violence, it's a very humanistic movie, filled with rich and complex characters that feel like they're apart of something completely real and also very intimate and small-scale. The story is not a black and white 'good vs evil' kind of thing, all characters have their own shortcomings and sympathetic sides, making for an incredibly dynamic cast. It's a debilitatingly horrifying film, yet done with the same amount of care and understatement as Blue Ruin. It's a white knuckle thrillfest, and one that pits a lump in your stomach from the intensity witnessed on screen.
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