12 user 37 critic

Anger of the Dead (2015)

1:25 | Trailer
Alice, a mother to be, fights for survival as a virus breaks out around the world.


Francesco Picone


Francesco Picone (screenplay), Francesco Picone (story) | 1 more credit »
4 wins. See more awards »



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Credited cast:
Aaron Stielstra ... Rooker
Michael Segal ... Peter
Marius Bizau ... Stephen
Désirée Giorgetti ... Prisoner
Claudio Camilli Claudio Camilli ... Hulk
David White David White ... Ben
Ally McClelland ... Liam (voice)
Roberta Sparta ... Alice
Rest of cast listed alphabetically:
Manuela Arrighi Manuela Arrighi ... Zombie
Andrea Bianciardi Andrea Bianciardi ... Zombie
Lorenzo Ciani Lorenzo Ciani ... Zombie
Eleonora Marianelli Eleonora Marianelli ... Ben's daughter
Alessio Nicolai Alessio Nicolai ... Martin
Chiara Paoli Chiara Paoli ... Allie
Daniele Ricci Daniele Ricci ... Zombie


In a world ravaged by a virus that turns people into cannibals, a pregnant woman (Alice) manages to survive. Alice, in the company of two other men, strives to reach an island untouched by the plague. Meanwhile, a dangerous individual is on the trail of a mysterious girl, which causes Alice to realize that the Zombies are not her biggest and only threat. Written by pintopplx

Plot Summary | Add Synopsis


Survival is all that is left.


Drama | Horror


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Release Date:

8 January 2016 (USA) See more »

Also Known As:

Anger of the Dead See more »

Company Credits

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Technical Specs





Aspect Ratio:

2.35 : 1
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User Reviews

A willing jump into the apocalypse.
29 June 2015 | by znowhite01See all my reviews

The latest entry in the saturated zombie sub-genre may not have much new to say but offers more maturity and technical competence than the average DSLR bloodbath. Director Francesco Picone manages to create dread and tension with carefully paced suspense and neatly-drawn characters even within the standard genre tropes of utopian hope and bleach-bypassed visuals. The result is a slick experience, if a familiar one, but with occasionally-welcomed twists and character reveals.

The attempts to hide Italian aspects of its production, like many 80s direct- to-video foreign action programmers, becomes apparent at times, but here the acting towers over its budget and shines enough to realistically portray an American landscape. The standout in the capable cast, Aaron Stielstra, is given an emotional subplot that is both heartbreaking and morally repugnant amidst the already copious amounts of gore and convincing practical effects. The film even allows for a quiet, introspective moment with this character to reveal the childhood memories of his dog. Luckily, the filmmakers and performers are able to balance this sentimentality with all the on screen mayhem in a way that helps raise the stakes rather than shamelessly manipulate them with hackneyed Hollywood ploys, even if much of the music seems recycled from inferior products.

Overall, a worthwhile production with some fine acting and thought put into it beyond just creative effects and kills.

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