The series heads to the very frontiers of space and science to produce the definitive television history of science fiction. The story of one of the liveliest and most stimulating genres in...
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What if our creations turn against us? The idea of creating life has fascinated society since the earliest days of science fiction. From HAL in 2001: A Space Odyssey to the Cylons of the reimagined ...
Sofia, a tough young director, reunites with her father. He has spent a lot of time in prison and his life is marked by addiction. His biggest sorrow is that he lost Sofia. Her biggest hope is that she can help him and repair broken bonds.
Kjell Magne Haugan,
The series heads to the very frontiers of space and science to produce the definitive television history of science fiction. The story of one of the liveliest and most stimulating genres in popular culture will be told through its impact on cinema, television and literature. Each episode will explore one of the enduring themes of science fiction: time travel; the exploration of space; robots and artificial intelligence; and aliens. It will be made with the help of the genre's greatest pioneers: the filmmakers, writers, actors, and graphic artists whose obsession and imagination has taken them into the unknown. Having explored the future, the past, parallel universes and galaxies far, far away, they are now ready to report back on their experiences.Written by
Slightly Misleading Televisual History of a Popular Genre
This four-part series, produced to mark the BBC's science fiction season, is slightly misleading in tone; it is not a history of science fiction, but rather a history of modern science fiction adaptations on film and television. Presenter Dominic Sandbrook pays scant attention to the major antecedents of the genre: Jules Verne, H. G. Wells, Mary Shelley et. al. He is far more interested in looking at popular works of film and television such as STAR WARS, DOCTOR WHO, FRANKENSTEIN, and their effect on contemporary popular cultures. Some of the assertions he makes are quite suggestive; the STAR WARS and STAR TREK epics, for example, he sees as contemporary rewritings of the old naval narratives (e.g. Hornblower) popular in the mid-twentieth century, while futuristic epics such as BATTLESTAR GALACTICA return us to the age of progress and enlightenment characteristic of the Victorian era.
Interspersed with Sandbrook's presentation are a series of interviews with personalities from the world of SF - novelists such as Neil Gaiman and Ursula K. Le Guin, and actors such as David Tennant, Richard Dreyfuss and Keir Dullea, and technicians such as Douglas Trumbull. All their reminiscences are interesting enough; but do not help to dispel the suspicion that Sandbrook isn't really interested in SF as a genre working across a transmedial platform embracing print and online as well as cinematic and televisual cultures. Rather he is interested in compiling a series of programs giving viewers the chance to take a nostalgic wallow in their favorite memories from their youth, and how such memories continue to shape their present lives.
As a series of celebratory programs, TOMORROW'S WORLDS is watchable enough, but a serious history it certainly ain't. Sandbrook cuts a pleasant figure on screen, but he lacks the panache and wit of some of the real masters of television documentary presentation such as Andrew Graham-Dixon.
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