The story of how an eccentric French shop-keeper and amateur film-maker attempted to locate and befriend Banksy, only to have the artist turn the camera back on its owner. The film contains... See full summary »
A documentary which challenges former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers.
Using state-of-the-art equipment, a group of activists, led by renowned dolphin trainer Ric O'Barry, infiltrate a cove near Taijii, Japan to expose both a shocking instance of animal abuse and a serious threat to human health.
In the early 1970s, Sixto Rodriguez was a Detroit folksinger who had a short-lived recording career with only two well received but non-selling albums. Unknown to Rodriguez, his musical story continued in South Africa where he became a pop music icon and inspiration for generations. Long rumored there to be dead by suicide, a few fans in the 1990s decided to seek out the truth of their hero's fate. What follows is a bizarrely heartening story in which they found far more in their quest than they ever hoped, while a Detroit construction laborer discovered that his lost artistic dreams came true after all.Written by
Kenneth Chisholm (email@example.com)
A television documentary, entitled "Dead Men Don't Tour" (based on Rodriguez's tour of South Africa), is acknowledged in the film's credits. See more »
During the credits there is a spelling error - It says "Mabu Vinly" instead of "Mabu Vinyl" See more »
He had this kind of magical quality that all the genuine poets and artists have: to elevate things. To get above the mundane, the prosaic. All the bullshit. All the mediocrity that's everywhere. The artist, the artist is the pioneer.
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This film was by far our favorite at the True/False Film Festival in Columbia Missouri this past spring.
The delights of "Searching for Sugar Man" are revealed along the way, as the story unspools over decades and continents. I BEG YOU to cover your eyes and ears if you happen to see a trailer at your local indie theater - the art of the trailer is apparently a lost one, and most of the surprises are spoiled in the promotion prepared for this film.
The director received a well-earned standing ovation at True/False, and wept - he and other directors said that T/F was the first audience of "real people" to see their respective films, apparently Sundance is peopled with "not real people"?
And be prepared to have the music playing in your head for some time to come.
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