When their father passes away, four grown siblings are forced to return to their childhood home and live under the same roof together for a week, along with their over-sharing mother and an assortment of spouses, exes and might-have-beens.
Luke and Kate are coworkers at a brewery who spend their nights drinking and flirting heavily. One weekend away together with their significant others proves who really belongs together and who doesn't.
Two free-spirited and aging models with an unlikely friendship realize through various humiliating experiences that modeling has a shelf-life. Under-qualified for nearly every other career,... See full summary »
Dave is a married man with three kids and a loving wife, and Mitch is a single man who is at the prime of his sexual life. One fateful night while Mitch and Dave are peeing in a fountain, lightning strikes and they switch bodies.
A decent but troubled young man is sent to a psychiatric institution for the criminally insane and soon finds himself in a fight for his life battling ghosts inside his head and very real enemies all around him.
As he eases into adulthood at the age of forty, Conrad Valmont (Jason Bateman), the over-educated, under-employed heir to the Valmont Hotel fortune, is cut off from his allowance following his parents abrupt divorce and tossed out into the unforgiving streets of the Upper West Side. Luckily, he is taken in by his old friend Dylan (Billy Crudup), and returns the favor by immediately falling for Dylan's girlfriend Beatrice (Olivia Wilde). As Conrad attempts to woo Beatrice while keeping both their relationship and his bank balance secret, Dylan tries to set him up with Jocelyn (Jenny Slate). Ever committed to the charade that he eventually finds difficult to maintain, Conrad quickly realizes his charm can only extend so far into debt. Now deep into an extensional reflection, will it take losing everything to make Conrad realize what he can truly become?Written by
When Conrad presses the recording button on his tape deck and speaks in the microphone, the tape is not rolling. The needles for the volume level don't move either. See more »
I, I think that there's something wrong with me. For some reason, I find that the girls that I like as human beings I'm not sexually attracted to, and the ones that I am sexually attracted to I don't particularly like as human beings. And on the rare occasion when one falls in both categories, they usually have a boyfriend or a husband - and Lord knows I've got enough of that bad karma to last me a lifetime.
Barry the Therapist:
These are classic Freudian symptoms, Conrad. Haven't you ever read about ...
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To call "The Longest Week" a delight would be an overstatement. To call it average would be unjust. The movie is a Wodehousian romance which features terrific visuals in almost every frame. That's right... Almost every frame is picture perfect like this is a Wes Anderson film. At the same time, the dialogues and the story are entirely "Allenesque". If you liked Fading Gigolo - an attempt to recreate Allenesque filmmaking - you will fall in love with The Longest Week.
Why is Jenny Slate top-billed when the story is clearly about Jason Bateman's philandering character? And why is Jenny Slate even in the movie? You could replace her character with anyone else, and you'd hardly notice any difference. I saw this at a preview screening. I hope the filmmakers realize it and change the billings.
The Longest Week has great visuals, good dialogue and soothing sounds (the soundtrack's totally piano and jazz). The film is also 80 minutes long, and yes, I for one was wanting more as the film was in some ways enchanting.
If you like Wes Anderson films, give it a shot for its beauty! Not a Wes Anderson fan? C'mon! Olivia Wilde is in the movie and she's drop dead gorgeous!
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