Two struggling pals dress as police officers for a costume party and become neighborhood sensations. But when these newly-minted "heroes" get tangled in a real life web of mobsters and dirty detectives, they must put their fake badges on the line.
Two hard-partying brothers place an online ad to find the perfect dates for their sister's Hawaiian wedding. Hoping for a wild getaway, the boys instead find themselves out-hustled by an uncontrollable duo.
It's the ultimate buddy cop movie except for one thing: they're not cops. When two struggling pals dress as police officers for a costume party, they become neighborhood sensations. But when these newly-minted "heroes" get tangled in a real life web of mobsters and dirty detectives, they must put their fake badges on the line.Written by
20th Century Fox
When the two real police officers enter the sporting goods store, they both rack the slide back on their handgun. No shell is ejected. This means that there was not a round in the chamber, and as such, if the officer merely drew his gun and pulled the trigger, no round would have been fired prior to racking (sliding back) the slide to chamber a round. No officer would ever carry a weapon like this - it's essentially carrying an unloaded weapon. See more »
Don't be fooled by the sophomoric title which conjures up images of idiots pretending to be cops to pick up chicks, get free things and otherwise act like fools in uniform wait, that is what happens in this film. Still don't be fooled by the title, the movie isn't so much face-palming as it is just mildly and reliably silly.
The movie stars Jake Johnson of New Girl (2011-2014) fame as a burned out former college sports prodigy who's currently unemployed and single in sunny Los Angeles. His roommate Damon Wayans Jr. is a video game designer who struggles to bring his ideas to life thanks to a petrifying fear of taking initiative. His new game pitch involves a Grand Theft Auto-type RPG boasting an authentic beat cop experience. So authentic in fact, that he borrows real police uniforms to place on his presentation mannequins. His boss doesn't go for it but at least the two can become a hit at a costume party, thus beginning a ruse that grabs the attention of the ladies, the criminals and the LAPD.
The film adds very little to the buddy cop genre save a realistic performance by Rob Riggle as a legit Police officer. The villains are serviceable in menace and acting ability while love interest Nina Dobrev of the ever popular Degrassi: The Next Generation (2006-2009) is breathtaking T&A. The notion of Dobrev's character aspiring to be a makeup artist and not an actress or model is about as silly as Fred Astaire aspiring to be a shoe-shiner. Try as they might the chemistry between the two leads is cordial but no where near the level of Murtaugh and Briggs, Cates and Hammond, Lee and Carter. At best they're Freebie and the Bean (1974) without the pretense of already being A-List stars.
But let's be real, this film isn't trying to be the next Rush Hour (1998), and yes that is the new marker of quality. It's a movie that tries to reassemble the old Blockbuster video crowd who rented Martin Lawrence's National Security (2003) and All About the Benjamins (2002) a hundred times because old habits die hard and The Marine (2006) was already rented out. While Johnson and Wayans Jr. may not have the established fan base of Martin Lawrence or Ice Cube, there's no denying the films refreshing lack of pretense and the actors' enthusiasm towards the one-trick pony screenplay.
Let's cut the BS, what it all comes down to in movies like this is can it make you laugh? The short answer is yes and not just scattered chuckles either. Is it worth a re-watch; probably not. There are some truly inspired moments many of which are provided by Keegan-Michael Key (If Key and Jordan Peele were cast as the hapless fake cops instead of Johnson and Wayans who knows how deliciously absurd this movie could have gotten). Yet the buddy-banter all feels recycled and the action sequences are mundane.
I tacitly approve even if Let's Be Cops appeared too late on the scene to be relevant. Those who are limitedly exposed to the clichés of boys-in-blue-type cinema will find something to like, especially when their parents aren't in the room. Those with more discerning taste might want to look the other way on this one, not because it's offensive, dumb or bad but because it's too little of anything.
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