Twelve-year-old Koichi, who has been separated from his brother Ryunosuke due to his parents' divorce, hears a rumor that the new bullet trains will precipitate a wish-granting miracle when they pass each other at top speed.
Members of a cult, modeled on Aum Shinrikyo, sabotage a city's water supply, then commit mass suicide near the shores of a lake. Family members of those affected by it meet at the lake to observe the anniversary of their loved ones' deaths.
Ryota is a successful workaholic businessman. When he learns that his biological son was switched with another boy after birth, he faces the difficult decision to choose his true son or the boy he and his wife have raised as their own.
Ryota Tsuboi is a producer for a CM production company. His wife Sae is a food stylist. She is also enthusiastic about her daughter Moe's education and her work. Ryota goes to Nagano to see his father. There he has a strange meeting.
A sex doll who is both a sexual companion and the recipient of her owner's all-around affection comes to life and becomes self aware. She begins to experience and experiment with life and has so many questions including many when she coincidentally walks into a video store and is hired by the shorthanded manager. She begins to experience and query birth, life and death. In the meantime, her owner is taking his time cluing in to his doll roaming around the city and having a life.Written by
In the movie store where Nozomi (Doona Bae) works, The Matrix (1999) directed by The Wachowskis can be seen among other DVDs. Doona Bae has worked with The Wachowskis three times since: Cloud Atlas (2012), Sense8 (2015 - ?), and Jupiter Ascending (2015). See more »
Was everything you saw in this world sad? Was there something, anything, that was beautiful?
See more »
Hirokazu Koreeda takes a look into the abyss of Japanese society and paints a deeply disturbing but true picture of human beings who replaced their real lives into a state of mere existence. Solitude and emotional repression, ironically enough, in the country with one of the highest population densities and material goods ad infinitum. A study of cultural constraints.
Our protagonist (Du-Na Bae), masterfully chosen, is the newest excretion in the line of goods to blow some of that sexual steam off: an air doll with a washable rubber vagina. Her owner (refreshingly serious comedian Itsuji Itao), a lonesome waiter uses her as a substitute for a girlfriend, bathes, talks and of course - has sex with her. One day she awakes and discovers that she has grown a soul and begins her first tiny steps in a hostile world, without any prejudice or knowledge of the environment surrounding her. First enthralled and joyful to find all those wonders of life, she is soon crushed by the empty bitterness of people. A fallen Amélie, powerless before the unloving societal apparatus.
In Japan, there is a socially acknowledged system which consists of the Tatemae (homogenous, polite, superficial and carefully considered not to break in one's boundaries) and the Honne (one's "real" personality/ intentions). This seemingly schizophrenic social obligation produced monsters in industrialized 21st century Japan and this film shows us some of their victims. Live your lives! Be you! Appreciate the little things! Talk to people!, although slowly paced, the pictures flickering on the screen seem to shout in your face. What may sound ridiculous and hard to understand for American/European audiences, Japanese reality needs exactly those words.
Although I do not agree with some artistic choices on a personal level, I cannot stretch how much I agree with the message of this film. With increasing alienation and mistrust of people even in western societies, I am sure you can pick something up for yourself, look over frontiers and "crazy japs sticking their dicks in plastic wtflulz!!1". Definitely worth your while.
28 of 37 people found this review helpful.
Was this review helpful to you?
| Report this