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The September Issue (2009)

Trailer
2:25 | Trailer
A documentary chronicling Vogue editor-in-chief Anna Wintour's preparations for the 2007 fall-fashion issue.

Director:

R.J. Cutler
2 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Thakoon Panichgul Thakoon Panichgul ... Himself
André Leon Talley ... Himself
Grace Coddington ... Herself
Anna Wintour ... Herself
Hamish Bowles ... Himself
Sarah Brown Sarah Brown ... Herself
Charles Churchward Charles Churchward ... Himself (as Charlie Churchward)
Oscar de la Renta ... Himself
Patrick DeMarchelier ... Himself
Jill Demling Jill Demling ... Herself
Edward Enninful Edward Enninful ... Himself
Brian Fee Brian Fee ... Himself
Filipa Fino Filipa Fino ... Herself
Tom Florio Tom Florio ... Himself
Jean-Paul Gaultier ... Himself
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Storyline

The September 2007 issue of Vogue magazine weighed nearly five pounds, and was the single largest issue of a magazine ever published. With unprecedented access, this film tells the story of legendary Vogue editor in chief Anna Wintour and her larger-than-life team of editors creating the issue and ruling the world of fashion. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Fashion is a religion. This is the bible.

Genres:

Documentary

Motion Picture Rating (MPAA)

Rated PG-13 for brief strong language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

25 September 2009 (USA) See more »

Also Known As:

Untitled Anna Wintour Documentary See more »

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Box Office

Opening Weekend USA:

$220,633, 30 August 2009

Gross USA:

$3,820,067

Cumulative Worldwide Gross:

$6,442,300
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.78 : 1
See full technical specs »
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Did You Know?

Quotes

[first lines]
Anna Wintour: I think what I often see is that people are frightened of fashion and that because it scares them or it makes them feel insecure, they put it down. On the whole, people that say demeaning things about our world, I think that's usually because they feel in some ways excluded or, you know, not part of the 'cool group' so as a result they just mock it. Just because you like to put on a beautiful Carolina Herrera dress or, I don't know, a pair of J Brand blue jeans instead of something...
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Soundtracks

That Home
Written by Jason Swinscoe, Phil France, Patrick Watson
Performed by The Cinematic Orchestra (as Cinematic Orchestra)
Courtesy of Domino Recording Company, Ltd.
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User Reviews

 
Interesting Movie, Humanizes Anna Wintour
13 September 2009 | by two-centsSee all my reviews

I had two great insights into Vogue and the fashion world. The first, and most important insight is that assuming the Vogue target audience is 25-45, the people who make the most important decisions are well above that age. Anna Wintour must be in her mid 50's, similarly or even older, Grace Coddington, Karl Lagerfeld, Jean Paul Gaulthier, Giorgio Armani, Oscar de la Renta, etc, etc. And what was also relevant about this "discovery" as seen in the movie, is that these people are NOT wearing the ridiculous outfits they are foisting on the public through magazines such as Vogue--which sets the fashion dictates of a season. Anna Wintour wore only the most feminine, attractive, figure flattering, AGE-APPROPRIATE outfits throughout the movie---which are damn hard to find in the stores! (unless, perhaps, one is paying top, top dollar for designer prices which may cater to an older crowd) But the fashion designs that are being interpreted for mainstream America is following the latest trends as written and photographed by Vogue. Secondly, this is a movie that attempts to humanize Anna Wintour, and does so simply by showing that she is an obsessive human being, whose obsession is her magazine. She does show some warmth with her daughter, but otherwise she is simply driven and clearly makes no attempt to ease the palpable discomfort of others in her presence. She's not evil, nor bitchy, but she does seems to take some pride her in tabla rosa facial expressions--which clearly raises the anxiety level of those submitting work to her. It wouldn't hurt her professionalism to attempt more empathy, but I guess she doesn't see it that way. Overall, it's a very interesting movie and shows the business side of creating the largest fashion magazine in the world, complete with casual references to using Photoshop to enhance an already beautiful woman, or the promotion of fur in fashion due probably to the large amount of furriers who buy advertising. Great eye candy throughout!


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