It's November 30, 1962. Native Brit George Falconer, an English professor at a Los Angeles area college, is finding it difficult to cope with life. Jim, his personal partner of sixteen years, died in a car accident eight months earlier when he was visiting with family. Jim's family were not going to tell George of the death or accident, let alone allow him to attend the funeral. This day, George has decided to get his affairs in order before he will commit suicide that evening. As he routinely and fastidiously prepares for the suicide and post suicide, George reminisces about his life with Jim. But George spends this day with various people, who see a man sadder than usual and who affect his own thoughts about what he is going to do. Those people include Carlos, a Spanish immigrant/aspiring actor/gigolo recently arrived in Los Angeles; Charley, his best friend who he knew from England, she who is a drama queen of a woman who romantically desires her best friend despite his sexual ...Written by
Colin Firth's character mentions in a conversation with Nicholas Hoult that he once took mescaline and ended up shaving off one of his eyebrows. That actually happened to director Tom Ford. He was taking the drug with Stephen Spender when he went home, looked in the mirror, and "thought it was taking over my face". See more »
When Charley starts dancing to the second song, a green bottle is on the table in front of George, and a black bottle is to the right. In the next scene, the black bottle is in front of the green one. See more »
It's all becoming so bland. That's not why I came to America. It's like a complete breakdown of culture and manners.
The young ones have no manners. The other day at the car wash, a young man looked me up and down and asked me if I was a natural blonde.
What did you say?
I looked him straight in the eye and said, "Let's just say, if I stood on my head, I would be a natural brunette with lovely breath."
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A stunning outing for Tom Ford. The images are, clearly, out of an aesthete's mind without being shallow, ever. I believe there is a dramatic reason behind every frame. Colin Firth, looking truly handsome, goes through a day of torment with remarkable civility. I felt involved and shaken and couldn't help but make mine his pain. The flashbacks with Matthew Goode are truly vivid and truthful. This is a step forward in explaining through images that love is love no matter who you are, where you come from or what your circumstances are. It could have been a man and a woman, the fact that it's a man and a man is almost irrelevant. We recognize the feel of it and Colin Firth's performance is the magic stroke that makes that not only possible but natural. It is a sensational debut for fashion star Tom Ford. True to himself an artist that promises great, wonderful things for the future. I can't wait.
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