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As things are turning around for the city, people must face a disaster of epic proportions. They are dealing with the prospect of losing the people of New Orleans as they turn into the city's walking dead.
Real love and fate collide in a small town girl's life as Amy falls in love with a mysterious drifter who brings with him a family curse. Bender, who shares the curse with his son, brings hell to Amy's town. Helping Dan and Amy are an oddball crew; ex-cop, Thibodeaux, who's seen Bender's bloodlust firsthand, Sam, the local sheriff and ex-homicide detective, and John, a local farmer and Amy's father, head for the ultimate showdown with Bender and the evil terror he has drawn them to.Written by
Horror icon Dee Wallace worked on the script to this film with writer/director Dana Mennie for over a year. After casting her in the role of Sam, Mennie replaced Wallace with Maria Conchita Alonso in the eleventh hour. See more »
After a mysterious drifter arrives in town, a woman's burgeoning romance with him becomes threatened when he reveals the deadly curse he falls under and must try to protect her from more of his own kind ravaging the town.
This one wasn't as bad as it could've been as it turned out quite enjoyable. One of the biggest pluses here is the fact that this one manages to really overwhelm with how brutal and vicious the werewolves really are here with this one really getting the most out of it's scenes. Attacking with ferocity and remorselessness, the way a true werewolf should attack in such situations, that leaves this with plenty of vicious and brutal attacks that have people with their faces and chests clawed to pieces, hands bitten off, flesh torn into and devoured and even claw impalings that are quite gruesome and bloody which works quite well here. This also causes many of the attacks to come off as rather chilling and suspenseful with the usage of the werewolf to really toy with his victims here and then go in for the kill so the ambush at the father's house, the police station encounter and the encounter at the car-lot all come off as quite chilling and enjoyable. The big action scene, which is the town's shootout with the werewolf in the desert which devolves into the main brawl between the two werewolves in a brutal, vicious and bloody sequence that eschews spectacle to go for pure carnal brutality as would be the case in such a fight causes this to really become a true highlight that comes off incredibly well here with the amount of action supplementing the brutality. That's really all that works here, as otherwise this one tends to come off with a couple flaws in the fact that this one mainly centers around a romance angle that's highly derivative and ripped off from plenty of other movies. Granted, it never humanizes their bestial modes and keeps them as something to be feared throughout, but the fact remains that it still rips off other movies with the inter-species romance that tends to take up the first hour or so between the two and really causing this one to grind to a halt with it's more intense happenings occurring in such brief snippets it loses it's horror tag at times. This also causes the film to go on way too long for something as simplistic as this plot is because it has to wrap the romance into the proceedings so that it can fully tell that story specifically rather than anything else so that the rest of the movie is stretched out as a result. By using the Wolf-Man style of werewolf make-up rather than the Werewolf style which basically just gives the creatures fangs and fur around the face, it makes the creatures look somewhat laughable at times by not really trying to do anything special with their make-up and just going for the weakest look in the genre. It looks great, but it's still a poor design, and joins the other flaws here to hold this down.
Rated R: Graphic Violence, Graphic Language and Nudity.
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