Nelson Mandela, in his first term as President of South Africa, initiates a unique venture to unite the Apartheid-torn land: enlist the national rugby team on a mission to win the 1995 Rugby World Cup.
Kidnapped boy Phillip Perry (T.J. Lowther) strikes up a friendship with his captor Butch Haynes (Kevin Costner): an escaped convict on the run from the law, while the search is headed up by honorable Texas Ranger "Red" Garrett (Clint Eastwood).
A drama centered on three people who are haunted by mortality in different ways. George Lonegan (Matt Damon) is a blue-collar American who has a special connection to the afterlife. On the other side of the world, French journalist, Marie Lelay (Cécile de France) has a near-death experience which shakes her reality, and when London schoolboy Marcus (identical twins Frankie McLaren and George McLaren) loses the person closest to him, he desperately needs answers. Each looking to understand the one thing all life has in common, but can never share, their lives will cross, changed by what they believe might, or must, exist in the hereafter.Written by
Warner Bros. Pictures
One of the few movies executively produced by Steven Spielberg that has neither an Amblin Entertainment nor DreamWorks Pictures symbol in the ads representing his involvement. (The Amblin logo does appear at the end of the movie.) See more »
When Marie visits the hospice to get the information on near-death experiences, the wallpaper on the receptionist's computer shows a Windows 7 image (icebergs on the shore) rather than one from Windows XP, which one would expect for a movie set in 2005. See more »
I'm sorry, I'm losing him now. He's... he's leaving. He wants to leave.
No, Jase. Don't go. You can't.
Don't leave me. I don't wanna be here without you. Please, Jase, don't go. I miss you.
Okay, he came back. He's here. He says if you're worried about being on your own, don't be. You're not. Because he is you and you are him. One cell. One person. Always.
See more »
The mid 80s-late 90s Warner Bros. shield is used (in black and white) at the beginning of the movie and at the end of the credits. The same Warner Bros. Shield is used alongside the Amblin logo, also in black-and-white. See more »
The pacing of this film did not bother me. Of course, I am over 50, so I can actually sit still through a slower paced storyline that includes a number of different characters, without something blowing up, or someone getting undressed to keep my attention.
What did bother me, perhaps comes from a unique view from others reviewing the film. As one who has experienced an NDE, I was disappointed with both the flimsy, and undeveloped view of the female lead's experience, and the ambiguous way in which her story unfolded.
On one hand, we have a character whose NDE was so life-altering, as to divert her from her primary job as a political reporter, into someone who writes a book extolling the difficulty in revealing the truth in the modern media world about the validity of the NDE experience. The dust jacket on her book, as well as casual references to her research, talk about all of the expert testimony that support the overwhelming facts about NDE experiences, and the correlation between science and the afterlife. And then the movie tells us nothing.
The script (or perhaps what was left after Eastwood edited the script) simply glosses over anything substantial in the way of research, except to talk about a Nobel laureate who was ridiculed after revealing his research. One line...out of over two and a half hours of script.
The question to me, is why start the conversation, if you aren't going to offer even a small slice of the answers? The research is voluminous. Those of us who have experienced an NDE know that it is far more than a chemical reaction to the body starting to shut down. Much more.
But, all we are left with in this movie, is a lead character who doesn't want to acknowledge his gift, even in the face of those around him who believe in a "hereafter," more than he does.
Anyone who has experienced an NDE will find this movie sadly unfulfilling. But perhaps, it will bring many more of us to admit to what happened, and start a much more meaningful dialogue about the facts.
As a few of the younger reviewers mentioned, a vast majority of the audience was over 50. No doubt many of those there were looking for answers about the "aferlife," for one reason or another.
It would have been a great chance to tell the world something substantial. But in the end the movie was a nice idea, with slow execution...and painfully unfulfilling.
98 of 174 people found this review helpful.
Was this review helpful to you?
| Report this