Sam and Charlie Corey are vampire slaying sisters. With the increase of Vampire related activity in Western Sydney, the slayers discover the Master of the city is on the hunt for ancient ... See full summary »
A fishing community on a remote Maine island finds itself suddenly cut off from the rest of the world after the ferry stops coming. When people start to vanish, the terrified survivors realize that someone - or something - is hunting them.
Adam Wade McLaughlin,
The new sequel finds Burt Gummer, who's dying from Graboid poison, and his son Travis at a remote research station in Canada's Nunavut Territory, where they must go up against a new batch of Graboids to save Burt's life.
Don Michael Paul
Alistair Moulton Black,
Paul du Toit
Two young American women go on a Mediterranean vacation and uncover the watery lair of a killer mermaid hidden beneath an abandoned military fortress. What was once a carefree adventure becomes a deadly fight for survival.
Ten stories are woven together by their shared theme of Halloween night in an American suburb, where ghouls, imps, aliens and axe murderers appear for one night only to terrorize unsuspecting residents.
A police-escorted prisoner transport supervised by Interpol sets off to Belgrade. The route leads the transport through Pancevo, where they encounter an ecological disaster and infected people who are trying to kill them. Interpol agents Mortimer Reyes and Mina Milius soon realize that their only chance for escape from the zombie hordes lies in allying with the dangerous, mysterious prisoner.Written by
This is a cheap, poor, unoriginal direct-to-DVD ultra-low budgeter that will satisfy only the most undemanding. If you liked the ugly, careless Italian zombie flicks from the early 1980s made by Claudio Fragasso and Bruno Mattei, this is a perfect match to that kind of dated, barely competent attempt at exploitation. It is not entirely without its saving graces: Ken Foree is as good as the silly, uninventive script and laughable dialogues allow; make-up efx are solid, but barely visibly because of the overuse of shaky-cam which spoils every action scene. Photography is dark, grainy and shaky, and the Tarzan-English spoken by the Serbian actors can be compared to the Engrish found in Miike's SUKIYAKI WESTERN DJANGO. Solid potentials are largely wasted in this silly little flick.
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