1967. The world is alive with change: brimming with reawakened energy, new styles, music and an infectious sense of hope. In Jordan, a different kind of change is underway as tens of ... See full summary »
A father and his estranged son must come together to hand deliver his daughter's wedding invitations to each guest as per local Palestinian custom, in this rousing family drama from Annemarie Jacir (When I Saw You).
In what is left of the city of Jaffa, a man about to lose his house contemplates his fate. Meanwhile two women remain tied to their homes. Cats scrabbling her front door, one finds solace ... See full summary »
When an old airport janitor finds a captain's hat in the trash, he gets pulled into the lives of children in his poor neighborhood. He weaves imaginary stories of his world adventures to offer hope in the face of their harsh reality.
Soraya, born in Brooklyn in a working class community of Palestinian refugees, discovers that her grandfather's savings were frozen in a bank account in Jaffa when he was exiled in 1948. Direct, stubborn, and determined to reclaim what is hers, she fulfills her life-long dream of "returning" to Palestine. Slowly she is taken apart by the reality around her and is forced to confront her own anger. She meets Emad, a young Palestinian whose ambition, contrary to hers, is to leave forever. Tired of the constraints that dictate their lives, they know in order to be free, they must take things into their own hands, even if it's illegalWritten by
Cinema, in my eyes, is an art. The best pieces of art in almost any medium are subjective pieces of work they allow you to understand what the artist's feelings, emotion, messages etc. are. However when inducing politics into art one should be very objective. It is impossible to set out a rational film on a political issue if the movie is made in a subjective manner. 'Salt of this Sea' is one such movie where a strive has been made to critique a very delicate situation in Isreal/Palestine, however it is done in such a narrow scope, and at times, disgustingly sentimental way. The mere fact that in the movie, the main character feels such a strong connection with a place she has never been before, is almost laughable, as is the demonising of almost all Isreali characters throughout the film. There can be no doubt that some of the plot and events in the film have merit, but there is an overwhelming bias toward one side of a very complex and challenging issue, that it does no justice to history of the story it is trying to tell.
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