In high school, Matt and Ryan were best friends. More than friends, actually. But in the ensuing ten years, they've lost contact. So when Matt receives an invitation to Ryan's wedding he's ...
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Lewis is a closeted gay man throwing a bachelor party for his straight best friend and secret crush, Cooper. After a night of drunken sex together, the two men decide to meet in the same ... See full summary »
David Alanson Bradberry
A bullied and demoralized gay student at an all-boys school uses a magical flower derived from Shakespeare's "A Midsummer Night's Dream' to turn many in his community gay, including a comely rugby player for himself.
The hockey career of former Toronto Maple Leaf Eric McNally, who was known as a tough enforcer, came to an end with a shoulder injury. He is now a sportscaster. Except to his assistant Nula... See full summary »
In high school, Matt and Ryan were best friends. More than friends, actually. But in the ensuing ten years, they've lost contact. So when Matt receives an invitation to Ryan's wedding he's surprised - especially that Ryan is marrying a woman! Matt interrupts his ideal alternative lifestyle to return to his hometown. He plans to rescue his former love from whatever "she-devil" has trapped him into this huge mistake. On the other hand, Ryan's perky fiancé Alex takes quite the liking to Matt. Is she very cunning, disarmingly ditsy, completely adorable - or all three? As Matt tries to rekindle the old flame, Ryan is intent on putting out any sparks. Ryan dismisses their old romance as just a high school thing, but Matt realizes Ryan may still be the love of his life. All the while, Matt must deal with "his new best friend" Alex, the two families, and a hometown he thought he'd left entirely in the past. As the wedding day fast approaches (like a meteor hurtling toward ground zero), old ...Written by
Ty Lieberman/C. Jay Cox
Tori Spelling's real life husband, Dean McDermott, makes a appearance as the "plumber" for the bachelorette party scene. See more »
All the vehicles in the film are shown with New Mexico Licence Plates on both the rear and front. New Mexico only issues plates for the rear of the vehicle. See more »
I understand about gay men. I adore gay men. If I had a penis, I'd BE a gay man. But I don't want to marry one. And I am not gonna be some housewife, and five, ten years down the road have you come home, "Hey, honey, I know you love surprises"...
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Wow...as in "Wow, that was really bad and hard to watch".
This is an oft-used line, but it really sums up this movie..."If this is the current state of gay cinema, then we're in real trouble". I saw this film at SIFF because of the high IMDb rating (7.6) and if there was ever a case of vote stacking on IMDb, then this is it. Just watch the number fall over the release weeks of the film.
Easy plot...Boy finds out his high school ex (boyfriend) is getting married to a female friend of theirs so he goes back to his old hometown (still carrying a 10 year old torch) to see what happened.
First off, I liked "Latter Days", the director's last feature, despite its cookie cutter characters and plot contrivances, but you're supposed to become a better director with each subsequent release. I don't know how you get horrible supporting performances out of so many TV veterans (Robert Foxworth, Joanna Cassidy, Tori Spelling), but somehow he managed to. The writing was Lifetime Network quality (way back when they were REALLY bad) and the situations were unbelievable AND uncomfortably hard to watch. I kept reaching for a non-existent remote control to fast forward, but ultimately made myself stay to the end, hoping for a decent ending. Ugh...no. Even the gratuitous male nudity that popped up during the movie was so blatantly gratuitous that it seemed to be there to keep people in their seats.
To be fair...the 2 leads, especially in the gratuitous nude scenes, were gorgeous. There was also a real sweetness between them during their rekindling friendship as they uncovered how they went separate ways. And the film looked great...good quality and color saturation for an independent film.
How is it that network TV can give week after week of great, entertaining weekly episodes (Like "Ugly Betty", "Desp. Housewives", etc.), but so many feature releases in similar genres can be as bad as this?
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