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Storyline
Frank Goode lives by himself in Elmira, NY, a recent widower with heart trouble, retired from a factory job, proud of having pushed his adult children toward success. In the summer, all four kids bail on a reunion, so, against doctor's orders, Frank decides to surprise each with a visit. He sets out to see his artist son in New York City, his daughter the ad exec in Chicago, his son the conductor on tour and presently in Denver, and his daughter who's a performer in Vegas. None are as he imagines or hopes. Will they let him see themselves as they are, and can this dad adapt?
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<jhailey@hotmail.com>
Plot Summary
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Plot Synopsis
Taglines:
Frank's travelling light but carrying excess baggage (UK Quad)
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Details
Release Date:
4 December 2009 (USA)
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Also Known As:
Están todos bien
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Box Office
Budget:
$21,000,000
(estimated)
Opening Weekend USA:
$3,852,068,
6 December 2009
Gross USA:
$9,208,876
Cumulative Worldwide Gross:
$16,443,609
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Company Credits
Technical Specs
Aspect Ratio:
2.35 : 1
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Did You Know?
Trivia
In the scene where Rosie (Drew Berrymore) and Frank (Robert De Niro) are having a dinner together, you can glimpse 2 long rabbit ears of a big metal-mask hanging on the wall, just behind the opened door. That is the Frank-the-rabbit mask of "Donnie Darko", which Drew Barrymore was one of the producers.
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Goofs
The symphony poster in the movie said "Denver Symphony." The "flashback" poster at the end of the movie says "Northwest Symphony."
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Quotes
[
first lines]
Butcher:
You Keeping busy?
Frank Goode:
Yeah, I've been busy.
Butcher:
Busy doin' what?
Frank Goode:
Busy in the garden.
Butcher:
[
wryly]
In the garden, you know what, you're missing work, that's what, I can see that.
Frank Goode:
No I'm not missing work.
Butcher:
Yeah, you miss the buzz and the jokes and the guys, I know that, don't tell me that's not true.
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Crazy Credits
The photographs Frank took during his journey are shown alongside the end credits.
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Soundtracks
The Time of Times
Written by
Badly Drawn Boy (as Damon Michael Gough)
Performed by
Badly Drawn Boy
Courtesy of EMI Records Ltd.
Under license from EMI Film & Television Music
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Based on Guiseppe Tornatore's 1990 Italian film, Stanno tutti bene, writer/director Kirk Jones has brought some of the best work out of Robert DeNiro in decades. Everybody's Fine is a fascinating tale about Frank (DeNiro), a widower who wants to get his four adult children together for dinner, but when one by one they all cancel for good reasons or lack of a better word excuses, he decides against the advice of his doctor, to make a surprise trip to all their residences in New York, Chicago, Denver, and Las Vegas. What the trip brings him however, is a heavy realization that despite what his late-wife told him, maybe everybody's not fine.
Treading heavy territory to resemble films like About Schmidt, Everybody's Fine is a heartfelt, emotional film that will leave you in tears. Though the narrative could come off a bit over-dramatic at times, there's no denying the warmth that the film conveys to family and loyalty. DeNiro is most effective in his role of Frank Goode, the hard-working father whose long hours putting up coating on telephone wire may have cost him more than he thought. Director, Kirk Jones makes some great artistic choices, especially in the final scenes of the film. One thing however that is surprising is how the film is being marketed. Portraying itself as a holiday-comedy is going to be quite unexpected to viewers as the film is weighty with emotion and less on the laughs.
The supporting players, in this case the adult children, are all beautifully cast. Drew Barrymore has never been sweeter in the role of Rosie, a dancer in Vegas with a "Daddy's Girl" mentality. Kate Beckinsale is stunning in looks and adequate in delivery as Amy, a top advertisement executive. Sam Rockwell, who is long overdue for Oscar attention, plays Robert, the musician who painfully seeks his father's approval.
Enough can't be said about DeNiro who gives one of his finest performances of his career. Showing a softer side yet remaining in tuned with his fatherly instincts, DeNiro has redeemed some of his lesser works in the past years. He takes in some of the best and worst parts of all fathers' across the world. Worrying yet too hard at times it spills over into his children's decisions. Where the narrative misses in some aspects, DeNiro makes up for with his devotion and commitment to the character. It's an outstanding turn for him in his late career.
Over-dramatic, cliché, and a bit predictable, Everybody's Fine shows a beating heart. There's no stupidity or attitude in its form, just pure feeling. If you come from a family of secrets for the greater good (which may be the majority of us), this will speak volumes.
***/****