A washed up singer is given a couple days to compose a chart-topping hit for an aspiring teen sensation. Though he's never written a decent lyric in his life, he sparks with an offbeat younger woman with a flair for words.
Henry Roth is a man afraid of commitment up until he meets the beautiful Lucy. They hit it off and Henry think he's finally found the girl of his dreams, until he discovers she has short-term memory loss and forgets him the next day.
Cheery Alex Fletcher lives comfortably in Manhattan off the residuals from his 80's pop success and reprising his hits at school reunions, theme parks, and state fairs. But those gigs are declining, so he jumps at the chance to write a song and record it with reigning teen idol Cora Corman. Trouble is, he's good at melodies but needs a lyricist and has less than a week to finish. Enter Sophie Fisher, subbing for a friend who waters Alex's plants; she's a pretty good poet, quick witted, and could do it, if she'd agree. But there's some sort of shadow over her head that Alex may not be able to charm his way past. And what if they do get a song written, what then?Written by
As Alex and Sophie are seen entering Cora's studio to see her changes to "Way Back Into Love," Cora's town car (with the license plate 'Cora1') is seen parked in a 24-hour no parking tow-away zone. When they exit the studio, the town car is missing. See more »
When Sophie and Alex are having dinner at her sister's house, Alex is served a very large pile of mashed potatoes. In the next shot, the potatoes are gone. In the shot after that, they're back. See more »
During the end credits the video of 'Pop Goes My Heart' is played with pop-ups similar to VH1's 'Pop-up Video' See more »
In the original version Sophie enters Alex's apartment asking him if he has a watering pot and telling about the eighty year old German screaming at her. In the German dubbing this old man is French. See more »
I'm a fan of Hugh Grant and Drew Barrymore. Their personalities alone are enough to carry a movie. And such is definitely the case with Music and Lyrics. Hugh Grant's self-deprecating, dry sense of humor charms. And Drew Barrymore's slightly daffy girl-next-door shtick lights up the screen. These two could read me an economics book and I'd be entertained.
Music and Lyrics has its moments (campy '80s videos, shots at reality shows and pop divas), but overall, the story isn't as good as its stars. And while I love Grant and Barrymore separately, I'm not sure I love them together. Each of their personalities seems somewhat compromised in Music and Lyrics -- as if Grant's sarcasm and Barrymore's sweetness are both toned down. They meet somewhere in the middle, and it's very pleasant...but it's not as good as it could have been. Music and Lyrics is very much along the lines of Two Weeks Notice (both are written and directed by Marc Lawrence).
Bottom line: it's light fluff with some engaging stars, fun pop culture mockery and a song that will stick with you (like it or not!)
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