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Doomsday (2008)

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A futuristic action thriller where a team of people work to prevent a disaster threatening the future of the human race.

Director:

Neil Marshall

Writer:

Neil Marshall
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Popularity
3,121 ( 1,194)
1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Caryn Peterson Caryn Peterson ... Vagrant Girl
Adeola Ariyo Adeola Ariyo ... Nurse
Emma Cleasby ... Katherine Sinclair
Christine Tomlinson Christine Tomlinson ... Young Eden Sinclair
Vernon Willemse ... David / Gimp
Paul Hyett ... Hot Dog Victim
Daniel Read Daniel Read ... Sergeant #1
Karl Thaning ... Pilot
Stephen Hughes Stephen Hughes ... Soldier #1 / Johnson
Jason Cope ... Wall Guard
Ryan Kruger ... Soldier
Nathan Wheatley Nathan Wheatley ... Patient 'X'
Cecil Carter Cecil Carter ... DDS Assault Trooper
Jeremy Crutchley ... Richter
Rhona Mitra ... Eden Sinclair
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Storyline

A lethal virus spreads throughout Scotland, infecting millions and killing hundreds of thousands. To contain the threat, acting authorities brutally quarantine the country as it succumbs to fear and chaos. The quarantine is successful. Three decades later, the Reaper virus violently resurfaces in London. An elite group of specialists, including Eden Sinclair, is urgently dispatched into Scotland to retrieve a cure by any means necessary. Shut off from the rest of the world, the unit must battle through a landscape that has become a waking nightmare. Written by Nicolettea

Plot Summary | Plot Synopsis

Taglines:

Survive This. See more »


Motion Picture Rating (MPAA)

Rated R for strong bloody violence, language and some sexual content/nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA | South Africa | Germany

Language:

English

Release Date:

14 March 2008 (USA) See more »

Also Known As:

Sudnji dan See more »

Filming Locations:

Scotland, UK See more »

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Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend USA:

$4,926,565, 16 March 2008

Gross USA:

$11,008,770

Cumulative Worldwide Gross:

$22,211,426
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(uncut)

Sound Mix:

DTS-ES | Dolby Digital EX

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

There is a variety of helicopters used throughout the movie: The helicopter on which Eden is flown out of the quarantine zone at the beginning of the movie is a "Bell UH-1". The helicopter on which Eden flies from London to the quarantine zone is an "Agusta a119". The "gunship" helicopter that picks up Eden at the end of the movie is an "Aerospatiale SA.321 Super Frelon". The helicopter that Nelson uses after receiving the disc from Eden at the end of the movie is a "Bell/Boeing CH-47 Chinook". See more »

Goofs

The Bentley clearly strikes the blast doors as it exits the bunker, yet its wing mirrors are undamaged in later shots. See more »

Quotes

[first lines]
Kane: Like so many epidemics before, the loss of so many lives began with a single microscopic organism. It's human nature to seek even the smallest comfort in reason, or logic for events as catastrophic as these. But a virus doesn't choose a time or place. It doesn't hate or even care. It just happens.
See more »

Alternate Versions

German DVD release is heavily censored for violence. Approximately six minutes of footage were removed to secure a "Not under 18" rating from the FSK. See more »

Connections

Featured in Bad Movie Beatdown: Doomsday (2012) See more »

Soundtracks

Spellbound
Written by Steven Severin, Siouxsie Sioux,
Budgie and John McGeoch
Performed by Siouxsie and the Banshees
Courtesy of Polydor Ltd. (UK)
Under license from Universal Music Enterprises
See more »

Frequently Asked Questions

See more »

User Reviews

Homage to the post-apocalyptic
9 May 2010 | by Cujo108See all my reviews

It's April 2008, and a sudden viral outbreak has hit Scotland hard. To contain the deadly bug (dubbed the Reaper Virus), the British government works quickly to build a containment wall around the afflicted country. The possibility of the disease spreading to the rest of the world appears to have been effectively stopped in it's tracks. Fast forward 30 years and the virus has reappeared, this time in London. Satellite monitoring has picked up images of apparent survivors in the hot zone, which leads the government to suspect the potential for a cure. Desperate to put an end to the reborn plague, the Brits send a team of soldiers into the walled off country in the hopes that they can find the cure that may not even exist.

The third feature film from British filmmaker Neil Marshall. I thought this was a fun time at the movies, but don't expect anything new here. Doomsday is a pure love letter to Escape From New York and the Italian post-nuke films of the 80's. There are homages all over this thing, and I would like to think that I caught most of them. Hell, even Nightmare City seemingly gets a nod with the look and behavior of the infected. Watch the scene where one of the infected axes his way into Hatcher's compound and see if Lenzi's trash classic doesn't come to mind. Marshall knew what he wanted to do with this film, and he does just that. I have to admit, it was somewhat surreal watching such a film on the big screen, particularly the extended Sol/feast scene, which gets pretty nutty.

Rhona Mitra plays the team leader of the squad sent into the hot zone. She's a gorgeous woman with a killer accent, but she also comes through as a believable action star. I've long been a fan of her's, so it's nice seeing her get a role like this. Craig Conway is warped as the over-the-top Sol, but he lacks menace. He did get me to hate him, but that had more to do with the fact that I found him annoying. The considerable talents of Malcolm McDowell, Bob Hoskins and Alexander Siddig provide solid support despite what little they have to work with.

My biggest gripe with the film is the wall to wall use of music. It seems like there's never a scene that doesn't have some form of music blaring, and that becomes tiresome. A little more subtlety in that area would have been most appreciated. Also, some of the scene transitions feel awkward, and the film itself feels quite rushed. We don't get much down time or quiet moments, it's all very busy.

Still, I must admit that it's decent fun. Original? No. Flawed? You bet. That aside, if you have a certain affinity for this brand of entertainment, you should eat it up. And for the record, I'll take this one over The Descent any day. Mitra puts the wannabe badasses in that clunker to shame.


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