While driving a van through Mexico looking for a location for shooting a low-budget porn, Alphonse, Steve, Dallas, Debbie, the alcoholic Daisy and the pothead Jimbo get lost and meet a ... See full summary »
The relationship between Eric and Stephanie is floundering. They decide to leave for the Republic of Santiago to visit the famous ruins. Once there, they learn that a serial killer rages on steep roads of the region, eliminating drunk drivers.
Piggy Banks tells the story of two charming and brilliant brothers who finance their lifestyle by robbing and murdering pretty much anyone foolish enough to get in the car with them. They ... See full summary »
Morgan J. Freeman
On the run with the law on their trail, America's most anguished vampire family heads to England to find an ancient vampire clan. What they find instead could tear their family, and their throats, apart forever.
A tale of double cross and revenge, centered upon the members of an elite U.S. Special Forces unit sent into the Bolivian jungle on a search and destroy mission. The team-Clay, Jensen, Roque, Pooch and Cougar -find themselves the target of a lethal betrayal instigated from inside by a powerful enemy known only as Max. Presumed dead, the group makes plans to even the score when they're joined by the mysterious Aisha, a beautiful operative with her own agenda. Working together, they must remain deep undercover while tracking the heavily-guarded Max, a ruthless man bent on embroiling the world in a new high-tech global war.Written by
Warner Bros. Pictures
Production Designer Aaron Osborne and Cinematographer Scott Kevan attempted to enhance the color scheme of the comics, where only two to three colors were used to convey the tone of each setting, so they charted the whole movie with certain color schemes for each location, and different shades as time passed("Every chapter of the comic books is a new environment distinguished by different color palettes - so every time we are in a new city or country, the aesthetic of the film changes completely, so there is no homogeneous look. It's very eclectic."). See more »
When Max shoots the assistant/umbrella carrier on the beach, the slide on the pistol he uses doesn't move. See more »
Okay. You know that if we do this, we are waging a war against the Central Intelligence Agency.
They started it.
See more »
Part of the closing credits are seen in a montage of "The Losers" artist Jock's artwork (some original, some from the source comic). See more »
Hadn't heard of it and knew even less about it when I saw The Losers and I just had a blast! It was a movie for guys who like movies with its mean action and a constant humorous undertone that stays in stride with the tempo of the film. It was hot chix, cool tricks, and explosives throughout.
I didn't dig the slow-mo too much, though. That John Woo stuff just rubs me the wrong way and I find it so pretentiously distracting! ugh.
But beyond that... if you want an entertaining "don't need to think about it flick", The Losers generously provides. If you're looking for something to stick with you to puzzle upon or stimulate you intellectually, search elsewhere.
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