A mob mix-up in Chicago sends two chanteuses screaming for L.A., where they score a perfect gig: posing as drag queens on the dinner theater/cabaret circuit. Things get extra-weird when a guy falls for one of the girls.
Against the background of an Australian desert, Sandy, a geologist, and Hiromitsu, a Japanese businessman, play out a story of human inconsequence in the face of the blistering universe. ... See full summary »
The Hotel Splendide is on a remote and cold island, accessible only by a once-a-month ferry. It's a dark and dreary spa created by the late Dame Blanche, whose grown children now run the ... See full summary »
This film is a smart, rueful and dead-on portrait of life's unending quest to fit in; and the girl who solves it by completely breaking out - introduces a feisty outsider hero unlike any other seen on screen. Esther Blueburger's quest begins when she escapes from her Bat Mitzvah party and is befriended by Sunni.., the effortlessly cool girl who is everything Esther thinks she wants to be. With the help of Sunni, Esther goes away from her ordinary life and leaves behind her malfunctioning Jewish family to hang out with Sunni's far breezier and super-hip single mom Mary and attend Sunni's forbidden public school as a Swedish exchange student.Written by
Coming on board for the film was Harry Clein as associate producer. Clein, a Los Angeles entertainment public relations and marketing executive, had helped pioneer the rise of the independent film movement and to break out such hits as "Dirty Dancing", "Heathers", "Forrest Gump", and "The Blair Witch Project", met writer-director Cathy Randall when she was his student in a project development and marketing class and became a big fan of Esther Blueberger during the earliest stages of her creation. Clein also related to Esther's unflinching humor, defiant spirit and vision of a family awkwardly discovering one another in new ways. Clein noted: "This is not just a movie about a thirteen year old girl. Esther is the story of a very funny, resilient outsider. Anyone who has ever felt odd and different at the age of thirteen, which includes everyone who has ever reached adulthood, will be drawn to her wild and moving adventures. I never saw it as only a teen movie because it goes so much deeper than that. I also fell in love with Grace, Osmond and Jacob Blueburger and their confused, but loving relationship with Esther. I am amazed at how I am constantly discovering new aspects of character and story that excite me about 'Hey Hey It's Esther Blueburger'." See more »
When Jacob and Esther are pretending to be their parents at the dining table and Jacob slides the salt and pepper towards Esther, in the next shot the salt and pepper are seen passing each other going in different directions. See more »
This is billed as a story about a young Jewish girl and her struggle for acceptance - i.e. the typical high school movie.
I had a favourable overall impression of the film. It was very cute in a lot of places, cringe-worthy in others, with a few moments of humour interjected. I found that there was authenticity in a lot of the small things that I could relate to from my own experiences - the uniform checks, the singing of the school song, how we made out with the boys.
But as another reviewer said, the vast majority of the characters in this film were caricatures of certain types: the uptight mother, the bitchy classmate, the fat kid who got picked on, the friend's mother who is the exact opposite of Esther's mother... a lot of it seemed very contrived and fake.
The opening of the film was rather brilliantly done; Esther watching upon the sheep-like choreography of her school classmates as they gathered for lunch. It kept at this high all through the first act; we could relate to Esther and her troubles - who else flushed with embarrassment as she approached the "popular" girls with invites to her bar mitzvah? I was especially impressed with how quickly Esther could get a story out or parrot off something she had heard earlier.
It was when she met Sunni after the bar mitzvah that things went slowly downhill, starting slow but rapidly spiralling towards the end of the film. My initial impression of Sunni is that she was in Year 12 - she certainly looked like it. So the resulting events of sneaking out of private school to attend class as a Swedish exchange student at the public school really jarred uncomfortably. I don't know of a girls-only public school anyway. It was ..a little too far fetched.
At this point, I lost all sympathy for Esther. As she parrots off sentences from other people, she began to parrot off attitudes of Sunni's friends. Beating up the fat kid for her raincoat was a real low. Kudos to the characterisation of Sunni to be equally disgusted at her actions.
I couldn't figure out the relevance of Sunni's mum's death or the blow job in the street. I didn't think it lent anything to the story at all. Sunni's appearance at the private school was equally unexplainable, as was the presence of her grandmother (?) and Esther's mother. Then Esther standing up to the crowd to say her poem, with the prefects and the teachers standing agape... I didn't get that either. That whole scene was too staged for my liking, as if they just needed something to show that Esther was going back to her likable, quirky self. Anti-climactic is what I would describe it. It soured the entire movie for me.
4 of 5 people found this review helpful.
Was this review helpful to you?
| Report this