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The story of the country-western singer Hank Williams, who in his brief life created one of the greatest bodies of work in American music. The film chronicles his rise to fame and its tragic effect on his health and personal life.
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Guillermo del Toro
Colin hires a lavish country manor for his extended family to celebrate New Year. Unfortunately for Colin his position of power in the family is under serious threat from the arrival of his estranged brother David.
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David R Turner
Amusing series of vignettes that never does come together
I had the pleasure of viewing High-Rise at a recent film festival. I went in with high expectations, which gave way to boredom and the anticipation of the end of the showing.
The actors absolutely fulfilled all expectations. The performances are all highly nuanced and look natural, rather than put on. Hiddleston goes above and beyond to give one of the arguably best performances of his career. The mise-en-scene of each scene is meticulously crafted and beautifully shot.
So what, exactly, tipped high expectations into boredom?
For one, the film never does come together, never gives off the feeling of a cohesive whole, but rather of a series of vignettes. Each vignette is, of course, beautifully shot, but the disconnect they cause makes it impossible to empathize with any of the characters.
Additionally, suspension of disbelief is near impossible. Why do the characters make the choices they do? What drives them to this madness?
Overall, I would recommend this piece to very loyal fans of any of the actors or to cinephiles with a high degree of patience.
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