In a hospital on the outskirts of 1920s Los Angeles, an injured stuntman begins to tell a fellow patient, a little girl with a broken arm, a fantastic story of five mythical heroes. Thanks to his fractured state of mind and her vivid imagination, the line between fiction and reality blurs as the tale advances.
An F.B.I. Agent persuades a social worker, who is adept with a new experimental technology, to enter the mind of a comatose serial killer in order to learn where he has hidden his latest kidnap victim.
Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.
Balinese Tari Legong Dancers,
Ni Made Megahadi Pratiwi,
Puti Sri Candra Dewi
A boy stands on a station platform as a train is about to leave. Should he go with his mother or stay with his father? Infinite possibilities arise from this decision. As long as he doesn't choose, anything is possible.
At a Los Angeles hospital in the 1920s, Alexandria is a child recovering from a broken arm. She befriends Roy Walker, a movie stunt man with legs paralyzed after a fall. At her request, Roy tells her an elaborate story about six men of widely varied backgrounds who are on a quest to kill a corrupt provincial governor. Between chapters of the story, Roy inveigles Alexandria to scout the hospital's pharmacy for morphine. As Roy's fantastic tale nears its end, Death seems close at hand.Written by
The name of the production company, Googly, is from a term for a delivery in cricket. This can be seen by the use of red circles in the company logo. See more »
When Roy starts telling his first story about the soldier bringing a helmet with the last of their water to Alexander the Great, the soldier is clearly seen to be galloping on his horse without the helmet, but it magically appears as he dismounts. See more »
For the UK version, some changes were made to remove footage from the archive cinema clips that involved real cruelty to horses, as this contravenes the UK's Cinematograph Films (Animals) Act 1937. See more »
It had seven days of delay - being promised to be released on December 27th, it got in theaters only by January 3rd. It wasn't that much of a delay, but it bothered. Anyway, I have just seen it and boy was I amazed. Imagine "300"'s picture having one of the deepest plots that have ever been made and having the independence that even the most indiest indie film would have times ten. Imagine the stories that you made up and lived in under the blanket of your bed at night when your parents were asleep. Imagine that you still have an imagination of a child and an experience of a grown-up who had been struck by the truth that usually breaks people's dreams and illusions. This is "The Fall". Honestly, I have never seen anything like this before. Being all obsessed with movies and watching every single one that seems interesting, I have never ever seen such power and independence in a film. Independent films usually have their common indie feel - a crooky picture that shows protest to all the camera glamour that most of Hollywood films have, lack of dialogues filled with deep thoughtful pauses and this pretentiousness that screams "this is a masterpiece protest to Hollywood!". Hell no - "The Fall" has nothing of that at all. Having a breathtakingly gorgeous picture, it has smart dialogues and striking truth that is being told by a broken man to a little dreamful girl. This is not a protest - this is just a story one man named Tarsem had courage to tell. I may call it a genius piece of cinematography, a masterpiece and something like that, but loud words like these doesn't fit this experience that you will have to encounter by yourself. Believe me, you won't find the right words to describe the feel that you will have after watching this one.
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