France before 1789: When a widow hears that her lover is to marry her cousin's daughter, she asks the playboy Valmont to take the girl's virginity. But first she bets him, with her body as prize, to seduce a virtuous, young, married woman.
Unable to deal with her parents, Jeannie Tyne runs away from home. Larry and Lyne Tyne search for her, and in the process meet other people whose children ran away. With their children gone... See full summary »
Claude Bukowski leaves the family ranch in Oklahoma for New York where he is rapidly embraced into the hippie group of youngsters led by Berger, yet he's already been drafted. He soon falls in love with Sheila Franklin, a rich girl but still a rebel inside.
A factory manager in rural Czechoslovakia bargains with the army to send men to the area, to boost the morale of his young female workers, deprived of male company since the local boys have... See full summary »
Eight acclaimed filmmakers bring their unique and differing perspectives to the 1972 Summer Olympic Games held in Munich. The segments include Claude Lelouch's take on Olympic losers and ... See full summary »
Two women embark on a road trip after they are brought together by circumstance. Rebecca (Portman) flees her hotel after a fight with her mother-in-law (Maura) and hails a taxi driven by Hanna (Lazlo).
The painter Goya becomes involved with the Spanish Inquisition when his muse, Ines, is arrested by the church for heresy. Her father, Thomas, comes to him hoping that his connection with Brother Lorenzo, whom he is painting, can secure the release of his daughter.Written by
When Ines is kneeling in Lorenzo's office, the mic is visible at the top of the screen, above and to the left of her head. See more »
[Goya is trying to see Inés]
I am painter to the king!
To which king? Do you know how many kings I have in here? I even have two Napoleons, and one of them is an Arab. The other one is 7'2" tall.
See more »
There is one great flaw here that almost everyone mentions... and it's true. The accents of the non-Spanish actors clash terribly with the Spanish ones, as well as with each other. That's a real flaw, but if you can get past that, there's a great film waiting to be seen. I found I forgot all about it after the first 10 minutes. The critics just don't get this film. A lot of regular people seem to miss it too. They want a film with a typical "leading" role. They want their morality tales (which this certainly IS) delivered in easy shades of Black and White... no gray. They don't understand films where the title character is primarily an Observer. Sometimes that CAN be dissatisfying, but here the Observer is a genuine genius. Some people want him to be a moral giant, but he's not, he's simply an observer who has actualized the doctor's oath: First, do no harm. This is a brilliant story, and a morally complex one, too. There are some parallels to America in Iraq, though that is not the primary goal. This story illuminates the folly of any regime, liberal or conservative, as each picks its friends and foes, taking 180 degree turns from whoever was last in power. Javier Bardem gives an incredibly canny performance! Natalie Portman is totally unsentimental and totally committed to her multiple roles: just great! Stellan Skarsgard threw me off at first with the sound of his voice, but builds a performance of power and truth, in spite of it. Randy Quaid was a small revelation. And of course the film looks and sounds spectacular, with it's numerous and detailed textures, compositions and sounds. If you want to think; if you like having pat assumptions challenged; if you love people and history and art: see it!
149 of 185 people found this review helpful.
Was this review helpful to you?
| Report this