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The Good German (2006)

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0:32 | Trailer
While in post-war Berlin to cover the Potsdam Conference, an American military journalist is drawn into a murder investigation which involves his former mistress and his driver.

Director:

Steven Soderbergh

Writers:

Paul Attanasio (screenplay), Joseph Kanon (novel)
Nominated for 1 Oscar. Another 3 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
George Clooney ... Jake Geismer
Cate Blanchett ... Lena Brandt
Tobey Maguire ... Tully
Beau Bridges ... Colonel Muller
Tony Curran ... Danny
Leland Orser ... Bernie
Jack Thompson ... Congressman Breimer
Robin Weigert ... Hannelore
Ravil Isyanov ... General Sikorsky
Christian Oliver ... Emil Brandt
Dave Power ... Lieutenant Schaeffer
Don Pugsley ... Gunther
Dominic Comperatore ... Levi
John Roeder ... General
J. Paul Boehmer ... British Press Aide
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Storyline

Berlin, July, 1945. Journalist Jake Geismer arrives to cover the Potsdam conference, issued a captain's uniform for easier passage. He also wants to find Lena, an old flame who's now a prostitute desperate to get out of Berlin. He discovers that the driver he's assigned, a cheerful down-home sadist named Corporal Tully, is Lena's keeper. When the body of a murdered man washes up in Potsdam (within the Russian sector), Jake may be the only person who wants to solve the crime: U.S. personnel are busy finding Nazis to bring to trial, the Russians and the Americans are looking for German rocket scientists, and Lena has her own secrets. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

If war is hell then what comes after? See more »


Motion Picture Rating (MPAA)

Rated R for language, violence and some sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | German | Russian

Release Date:

19 January 2007 (USA) See more »

Also Known As:

The Good German See more »

Filming Locations:

California, USA See more »

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Box Office

Budget:

$32,000,000 (estimated)

Opening Weekend USA:

$76,817, 17 December 2006

Gross USA:

$1,308,696

Cumulative Worldwide Gross:

$5,914,908
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | SDDS | Dolby Digital

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

David Holmes composed a complete score which was rejected. See more »

Goofs

Sikorsky examines some currency, paying close attention to the serial numbers. He's shown examining the bills: their serial numbers are rendered in an OCR (Optical Character Recognition) typeface, which wouldn't be introduced until decades later the period of this film. See more »

Quotes

Hannelore: It's easy now to say Hitler was wrong about the Jews. Let me tell you something. Nobody said he was wrong at the time.
See more »

Crazy Credits

All the logos appear in black and white, while the Warner Brothers logo appears in the forties old style See more »

Connections

References Casablanca (1942) See more »

Soundtracks

Somebody Else Is Taking My Place
Written by Bob Ellsworth, Dick Howard and Russ Morgan
Performed by William Marsh, Chris Ross, Johnny Britt and Gary Stockdale
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Frequently Asked Questions

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User Reviews

 
Not-so-good German
24 January 2007 | by char treuseSee all my reviews

A clever look: imitation vintage B-movie in black and white; Steven Soderbergh's appropriate, artful gimmick for this film set in Berlin in the immediate aftermath of WWII.

Cate Blanchett turns in an apt theatrical performance given "The Bad German's" archly retro conceit. As the film's mother/whore femme fatale, Cate is sphinx-like, world-weary and made up like a drag queen at Mardi Gras. George Clooney, meanwhile, turns in his routine performance that is altogether too modern and casual. Put him in scrubs and he's ready again for the ER. Together, they create no chemistry nor any other natural science. Toby McGuire, as a sleazy, black-marketing GI, is so painfully hammy you'll find yourself begging for him to stop.

The storyline is awkwardly developed and unnecessarily opaque, its characters cold and remote. There's really nobody to cheer for or identify with; no emotions to hook us into this world. When was the last time that international intrigue, on-screen, was so unintriguing? It's too bad we've been served such an exciting cinematic look -- an overly lit, noir-like one -- only as window dressing on a story as bleak and dreary as the blitzkrieged landscapes on view.


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