During World War I, in an unnamed country, a soldier named Tamino is sent by the Queen of the Night to rescue her daughter Pamina from the clutches of the supposedly evil Sarastro. But all is not as it seems.
A woman who has lost her memory is taken in by a Los Angeles orphanage, and a private eye is enlisted to track down her identity, but he soon finds that he might have a past life connection to her that endangers their lives.
After the overthrowing of Duke Senior by his tyrannical brother, Senior's daughter Rosalind disguises herself as a man and sets out to find her banished father while also counseling her clumsy suitor Orlando in the art of wooing.
The Moorish General Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his Lieutenant Michael Cassio, when in reality, it is all part of the scheme of a bitter Ensign named Iago.
Rosalind, the daughter of Duke Senior (the banished Duke), is raised at the court of Duke Frederick (who is younger brother to Duke Senior and took over his Dukedom), with her cousin Celia (daughter to Duke Frederick). She falls in love with a young man named Orlando, but before she can even think twice about it, she is banished by Duke Frederick, who threatens death if she comes near the court again. Celia, being Rosalind's best friend, goes with Rosalind (who is disguised as a boy, Ganymede) and Touchstone, the court's fool, to the forest of Arden. Upon their arrival in the forest, they happen upon Orlando and his manservant, who are fleeing the wrath of Orlando's eldest brother. What follows is an elaborate scheme devised by the cross-dressing Rosalind to find out the verity of Orlando's supposed passion for her, and to further capture his heart, through the witty and mischievous façade of Ganymede.Written by
There is a man who haunts the forest that abuses our young plants with carving "Rosalind" on their barks. Hangs odes upon hawthorns and elegies on brambles all forsooth, deifying the name of Rosalind. If I could meet that fancy monger, I would give him some good counsel, for he seems to have the quotidian of love upon him.
Orlando De Boys:
I am he that is so love-shaked.
There is none of my uncle's marks upon you. He taught me how to know a man in love, in which cage of rushes I am sure you are not prisoner.
Orlando De Boys:
[...] See more »
The picture seems to end without the play's Epilogue. Then, the closing credits begin, when they are suddenly interrupted by Bryce Dallas Howard, still in character as Rosalind, who then is seen speaking the Epilogue as she begins to walk to her trailer, drinking a cup of coffee along the way. After the speech, Kenneth Branagh can be heard offscreen saying "Aaaand...cut!" After this, the closing credits resume. See more »
The version shown on cable television has been formatted to the aspect ratio commonly used in HDTV production (that is, anywhere from 1.78:1 to 1.85:1), while the version released to movie theatres was released in the typical CinemaScope/Panavision aspect ratio (2.39:1). It is the theatrical version which has been issued on DVD. Since the film was made using the Super 35 format, it was possible to make versions of the film in different aspect ratios. See more »
This movie is beautiful! That's right. That's my whole review.There are stylised Komonos and rich 1890-ish Western costumes. A palette of amazing reds, maroons and rose colors set against a magical green forest with ancient towering trees and exotic oriental marshes. The romantic comedy element is all about being in love; being giddy with all consuming love. The Shakespearean words are edited short and crisp and are delivered naturalistically and effortlessly by the likes of Kevin Kline and Brian Blessed. Of the leads, David Oyelowo stands out as a very masculine and handsome leading man and Bryce Dallas Howard (an American) more than holds her own with the mostly British cast. Perhaps due to Branagh's pruning of the tesxt, I also found listening to, and understanding As You Like It just as effortless as the actors' delivery. I'm not an English teacher nor an Elizabethean scholar and this movie spoke to me, taking me on a wonderful escape. (NOTE: make sure to watch all the way through the credits.) It is obvious that Kenneth Branagh puts his whole soul into his movies. Thank you, Kenneth!
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