A family's moral codes are tested when Ray Tierney investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora's Box that threatens to upend not only the Tierney legacy but the entire NYPD.
This love story has Kitty meeting young, intelligent, shy and somewhat dull Dr. Walter Fane, whose forte is the study of infectious diseases, and the convenient marriage that she finds herself committed to. It is in this web of intrigue that they head for China, only after Walter discovers Kitty's infidelity with one dashing and witty diplomat Charlie Townsend. So much as to hide her from herself and to help thwart a cholera outbreak, this is a marriage more than on the rocks. This is a cold, indifferent and loveless partnership in a vast unknown and deadly environment that will test both these flightless lovebirds and with the hardships and tolerances more than any had ever anticipated. A visual delight amid the pain and suffering of a dying people and failing marriage. Will a cure be found for both, before it's too late?Written by
The film was originally being developed by Yari's Stratus Film. When Stratus executive, Mark Gill, left for Warner Independent, he brought this project with him. See more »
In the scene where the orphans are asleep in the music room, Kitty can be seen holding one of the sleeping orphans. The orphan's head changes position between shots, her head is initially tilted towards Kitty, then tilting to the other side, and finally looking straight up. See more »
Reste Avec Moi
(French translation of "Abide with Me")
Words by Henry F. Lyte (as Henry Lyte) (in the English version, but translated here to French)
Music by William H. Monk (as William Monk)
Arranged by Evan H. Chen (as Evan Chen)
Performed by The Choir of the Beijing Takahashi Culture and Art Centre See more »
I think is the tone of the film and by that I mean everything from the cinematography to the dialogue the music and, most of all, the nuanced performances which, because it is so consistent and so consistently sublime renders the film far apart from the ordinary.
I was interested to see that Naomi Watts and Edward Norton produced this film. No matter which of them (or, for that matter, any one of the film's fine cast) is on the screen, we are fully involved: they invite us into their story, they invite us to care.
Even if one were to strip away the performances and the story there is still the sheer beauty of the Chinese countryside, filmed to perfection.
Just go, and see for yourself.
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