A forest fire and rock-slide trap five bickering college friends in a small Alaskan ghost town with a horrifying history. When they seek refuge inside the torched ruins of Blackburn Asylum they must fight its angry inhabitants to survive.
In this final installment of the Blind Dead series, a doctor and his wife move to a small inhospitable coastal village where he plans to start a practice only to discover that undead demon-worshiping Templar Knights haunt the place.
Amando de Ossorio
A multi-national forestry company engages in genetic experimentation to increase logging yield in a remote section of forest. But the experimentation goes disastrously wrong, transforming a disparate group of loggers and environmental activists into the "infected" -- ravenous, zombie-like creatures who prey upon the few terrified survivors while they attempt to understand and control the disaster...Written by
Exquisite scenery to bad about the bloody mess though.
Bahumbug. After the initial set-up I was thinking that it looked liked it was going to be competent and hopefully amusing low-budget Indie horror effort. My perception changed when the jerky, in-your-face camera work came to the party. Why do that! There's better ways to get the adrenaline pumping. It was like the person behind the camera was having a mental fit, and it did become aggravating and hard to make-out what was happening. And the story just couldn't escape its formulaic staples and messy structure, despite a surprisingly effective conclusion that I didn't see coming. Still I was left unsatisfied. To bad that it sets up one vanilla flavoured, over-used cliché after another and then it drags on. Then when you thought it couldn't get anymore the same, they chuck in another sub-plot that is just as worthless and poorly drawn up. Even the clunky script leaves a lot to be desired about the token characters and their rash reactions. Pretty much the premise goes onto steal ideas from other horror movies. It wants to be serious, but the over-the-top nature of its erratic mayhem and many unintentionally laughable sequences destroy that aspect. The film has a slick look with beautiful location choices, and Carl Bessai's tight direction is dry, but it's undone by the overall execution where it succumbs to repetition and static build-ups. It seemed to want to rely on some extreme blood splashing about, and having everything move so fast. But the shocks are weak, and the suspense is never there. I thought there were some fine-tuned performances amongst the slack-jaw ones though. Nothing great, but adequate. The music surprised because it was one of the few things that clicked with its eerie chimes in a nicely arranged harmonious score.
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