Three constitutes an omnibus package of three short horror films made by Asian directors. "Memories," made by Kim Ji-Woon, is about a woman (Kim Hye-Soo) who disappears from the home she ... See full summary »
Aunt Mei's famous homemade dumplings provide amazing age-defying qualities popular with middle-aged women. But her latest customer - a fading actress - is determined to find out what the secret ingredient is.
A yakuza enforcer is ordered to secretly drive his beloved colleague to be assassinated. But when the colleague unceremoniously disappears en route, the trip that follows is a twisted, surreal and horrifying experience.
As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of achieving.
In the segment "Cut," towards the end of the film there is a panning shot looking in through a window. The reflection of one or more persons standing on the outside portion (the side the camera is on) can be seen. See more »
Lions Gate's U.S. version changes the order of the segments. In the original Asian release, the order was "Box"/"Dumplings"/"Cut." The American release has been changed to "Dumplings"/"Cut"/"Box." See more »
This movie is incredibly cruel and unrelenting. It plays as a single feature divided into three sections: "Dumplings", directed by Fruit Chan of Hong Kong, "Cut" directed by Park Chan-Wook of Korea and "Box" directed by Miike Takashi of Japan. Each section is like a dissertation in horror, although "Dumplings" could also be classified as an exploitation film.
All of them are beautifully produced and directed, and I especially found "Box" to be quite lavish in sets, costumes and atmosphere. They each show a lot about the culture of the respective countries they were made in and also provide new takes on the terrifying and the appalling. They are each original in their own right, although "Cut" could be compared to the "Saw" or Hannibal Lecter franchises in that there's a psycho who's trying to get a message across by way of murder and mayhem.
I don't want to give details on the plots of any of them because I think that viewers need to experience them for themselves with no preconceptions going in, but what I can say is that "Dumplings" has the most plot and is probably the one with the highest "squeam" factor, "Cut" covers a rather familiar premise but with lots of fun moments (you'll see) and "Box" is more of an artistic endeavour with not much of a plot, but for some reason I was enthralled and couldn't look away; it's the one I liked the most.
A solid 8 out of 10 for the efforts of these genius Asian directors.
65 of 75 people found this review helpful.
Was this review helpful to you?
| Report this