Up-and-coming sports reporter rescues a homeless man ("Champ") only to discover that he is, in fact, a boxing legend believed to have passed away. What begins as an opportunity to resurrect Champ's story and escape the shadow of his father's success becomes a personal journey as the ambitious reporter reexamines his own life and his relationship with his family.
Special Agent Derrick Vann is a man out to get the man who killed his partner, but a case of mistaken identity leads him to Andy Fiddler, a salesman with too many questions and a knack of getting in Vann's way.
Samuel L. Jackson,
A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
Jessica, whose father killed her mother and committed suicide, is a police officer. While investigating a murder, she finds herself in the center of her own investigation, when her former lovers start being murdered.
Samuel L. Jackson,
A young journalist comes to the aid of a homeless man who claims he is a former heavy weight title contender. Seeing a chance to redeem his struggling career, the writer's story of the champ's life raises questions about the past that will threaten all he holds dear.Written by
In the original article in the Los Angeles Times, the gentleman who first makes the journalist question the truth of "the champ's" identity is Ernie Terrell, a heavyweight contender who is perhaps most famous for being severely beaten by Muhammad Ali, after Terrell had refused to refer to Ali by his new name at the weigh-in for their fight, instead addressing Ali by his former name of Cassius Clay. See more »
When Erik leaves Champ at the house they were conversing in front of, Champ is shown standing on the curb as he contemplates knocking on the door of the house. Then, as Erik is driving away, he looks into his rear-view mirror, and Champ is instantly shown standing in the middle of the street instead of on the curb. See more »
He lost to Harold Johnson and to Nino Valdez. That win to Valdez catapulted him into the national statistics spotlight also. Charles, 32 years old, Satterfield, 30. Here's round two. 189 for Charles, 180 for Satterfield. Charles is in the white trunks.
Erik Kernan Jr.:
A writer, like a boxer, must stand alone.
Satterfield has surprised all tonight with his right.
Erik Kernan Jr.:
Having your words published, like entering a ring, puts your talent on display. And there's nowhere to hide. The truth is ...
[...] See more »
I saw this movie recently at a screening. Everybody's already talked about the plot so I don't need to get into those details. What I think this movie will be known for is its performances (more on that in a second...), and its how uplifting it is. You leave the movie feeling great and for reasons that I will not get into, it makes you want to call your dad and tell him how much you love him (or your son). A lot of people will talk about Samuel L. Jackson's portrayal of the worn-out boxer, but the true revelation of the film is the acting of Josh Hartnett, who I have never thought could be so believable or appealing. He has always been just kind of a pretty boy, really. But here, he plays a father, a husband, a journalist, and according to Aristotle's definition, a classic "Tragic Hero." He desires to impress his son to the degree that he sometimes bends the truth a bit too often...which ultimately annihilates his relationship with his son. The child, Teddy, is played by a kid named Dakota Goyo, who will become a big star. Teri Hatcher's cameo brought humor to the film when needed. If I had a criticism, it is that the film might be a tiny bit lengthy; however, every moment of the film was well-done. I wouldn't know how to make it shorter. I highly recommend this movie to everyone.
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