7.4/10
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Memoirs of a Geisha (2005)

PG-13 | | Drama, Romance | 23 December 2005 (USA)
Trailer
2:34 | Trailer
Nitta Sayuri reveals how she transcended her fishing-village roots and became one of Japan's most celebrated geisha.

Director:

Rob Marshall

Writers:

Robin Swicord (screenplay), Arthur Golden (book)
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Popularity
2,919 ( 118)
Won 3 Oscars. Another 29 wins & 47 nominations. See more awards »

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Cast

Cast overview, first billed only:
Suzuka Ohgo ... Chiyo
Togo Igawa ... Tanaka
Mako ... Sakamoto
Samantha Futerman ... Satsu
Elizabeth Sung ... Sakamoto's Wife
Thomas Ikeda Thomas Ikeda ... Mr. Bekku
Li Gong ... Hatsumomo (as Gong Li)
Tsai Chin ... Auntie
Kaori Momoi ... Mother
Zoe Weizenbaum ... Young Pumpkin
David Okihiro David Okihiro ... Shamisen Teacher
Miyako Tachibana Miyako Tachibana ... Dance Teacher
Kotoko Kawamura Kotoko Kawamura ... Granny
Karl Yune ... Koichi
Eugenia Yuan ... Korin
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Storyline

In the 1920s, 9-year-old Chiyo gets sold to a geisha house. There, she is forced into servitude, receiving nothing in return until the house's ruling hierarchy determines if she is of high enough quality to service the clientele -- men who visit and pay for conversation, dance and song. After rigorous years of training, Chiyo becomes Sayuri, a geisha of incredible beauty and influence. Life is good for Sayuri, but World War II is about to disrupt the peace. Written by Jwelch5742

Plot Summary | Plot Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for mature subject matter and some sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Japan

Language:

English | Japanese

Release Date:

23 December 2005 (USA) See more »

Also Known As:

Memorias de una geisha See more »

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Box Office

Budget:

$85,000,000 (estimated)

Opening Weekend USA:

$682,504, 11 December 2005

Gross USA:

$57,490,508

Cumulative Worldwide Gross:

$162,242,962
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Steven Spielberg had initially planned to make Memoirs of a Geisha as the follow-up to Saving Private Ryan, bringing along his company DreamWorks. In the meantime, Spielberg's DreamWorks partner David Geffen had tried to persuade him not to take on the project, feeling it was "not good enough for him". Prior to Spielberg's involvement, the film was planned to be shot in Japan and with the Japanese language. By 2002, with Spielberg having postponed production for A.I. Artificial Intelligence (2001), Minority Report (2002) and Catch Me If You Can (2002), he stepped down from directorial duties to only produce. See more »

Goofs

When Chiyo apologizes to Mameha about the kimono; when she first bows both sleeves of her kimono are behind her arms but in the next scene when Mameha kneels beside her, the right sleeve is on top of her arm instead of behind it. See more »

Quotes

Mameha: [about the Baron losing the bidding] No man would bid so much for a thing he had already taken.
See more »

Crazy Credits

No studio logos are shown at the beginning. They however appear shortened after the end credits and are accompanied by the film's score. See more »

Connections

Referenced in HBO First Look: The Making of 'Dreamgirls' (2006) See more »

Soundtracks

Bei Mir Bist Du Schon (Means That You're Grand)
(1933)
Written by Jacob Jacobs and Sholom Secunda
English Lyrics by Sammy Cahn and Saul Chaplin (1937)
Performed by The Andrews Sisters
Courtesy of Geffen Records
Under license from Universal Music Enterprises
See more »

Frequently Asked Questions

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User Reviews

 
A Top-Notch Eye Candy
24 November 2005 | by kate_lee-movieSee all my reviews

Can a group of American men and Chinese actresses render the world of a Japanese geisha? The answer is yes, with stunning beauty … and regrettable flaws.

Truth be told, this movie was not as bad as its trailer led me to expect it to be. It had a story to tell (although it crumbles in the end),images to show, and material to present. There were ample displays of exquisite beauty -- the trailing tails of silk kimonos, the subtle allure of hand gestures, and the captivating scene of kabuki dance theater ...

On the other hand, the American director was not able to pull the Japanese out of Chinese actresses. (This movie was so crowded by famous Chinese idols that I found myself inadvertently searching for Joan Chen among the cast.) To be fair, all three main actors (Gong Li in particular) show strong performances that made me sympathetic to Rob Marshall's choices. However, they remain utterly Chinese throughout this movie. The look and accent are not the only problems. They lacked the kind of extreme femininity and excessive felicity of the delicately mechanical gesture and movements of traditional Japanese ladies you see in custom dramas of Japanese production. (Michelle Yeoh seems to be the only one trying a little bit of those, but it did not quite work for some reason.)

So, let me re-address the question: Can a group of American men and Chinese actresses render the world of a geisha? The answer, I guess, really depends on what you are looking for. If you would like a little bit of delight from an aesthetically pleasing picture with a dubious authenticity and realism, this movie delivers it. I would not say Rob Marshall failed completely. Memoirs of a Geisha is not the first, nor the last, movie that subjects another culture to the crude lens of American exoticism. It definitely is not the worst one.


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