The Brothers Bloom are the best con men in the world, swindling millionaires with complex scenarios of lust and intrigue. Now they've decided to take on one last job - showing a beautiful and eccentric heiress the time of her life with a romantic adventure that takes them around the world.
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
Chris is a once promising high school athlete whose life is turned upside down following a tragic accident. As he tries to maintain a normal life, he takes a job as a janitor at a bank, where he ultimately finds himself caught up in a planned heist.
A mysterious outsider's quiet life is turned upside down when he returns to his childhood home to carry out an act of vengeance. Proving himself an amateur assassin, he winds up in a brutal fight to protect his estranged family.
The lonely teenager Brendan finds his former girlfriend Emily dead in the entrance of a tunnel of sewage and recalls her phone call two days ago, when she said to him that she was in trouble. Brendan, who still loved Emily, met bad elements of his high-school trying to contact her, and when he succeeded, she told him that she was OK. He hides her body in the tunnel and decides to investigate the meaning and connection of four words, including "brick" and "pin", that Emily told him to find who killed her. Using the support of his nerd friend Brain, he successively meets the small time drug dealers Kara, Dode, Brad Bramish, Laura and Tugger, to reach the teenager powerful drug dealer The Pin. Slowly, Brendan unravels the motives why Emily was killed and plots a revenge.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the credits, a song is listed titled "Brain Hammer", credited as "Written and Performed by The Hospital Bombers Experience" and "Courtesy of Amalgamated Conglomerate Music Inc." It refers to the song that is playing in Tug's car when Brendan rides in the trunk, which is in actuality "me chugging some noise into Protools at 2 in the morning with my electric guitar," according to director Rian Johnson. (The band name is a reference to the song "The Best Ever Death Metal Band in Denton," by The Mountain Goats, a favorite of Johnson's. When bandleader John Darnielle saw this reference, he contacted Johnson, and Johnson has since directed two music videos and a concert DVD for The Mountain Goats.) See more »
After Brendan's confrontation with Dode in the football field, he falls on the grass and briefly passes out. When he wakes up and hears Laura's horn, his clothing is dirty. When he reaches the tunnel to meet with Tug, The Pin, and Dode, his clothing is clean. See more »
Having absorbed all the hype about this film I went along to see it with great expectations. How disappointed I was. There are many defects and errors in this film. Here is my list:
I found the dialogue inaudible and when I did hear what the characters were saying I found it completely incomprehensible.
The lead who played Brendan has to be the most uncharismatic actor I have ever seen on screen. Top marks to this guy for being able to deliver the gibberish dialogue, but aside from that this anti-hero character that he plays is truly repellent. Even the poorest most unpopular student in high school wouldn't have bad hair, bad shoes, and completely ill fitting denim pants. Do all squares have to be so unstylish? How can someone so skinny and badly dressed walk around like he's a jock and not to be messed with? The Laura character is prematurely middle-aged and totally pretentious and irritating and that's only when you can hear what she's actually saying. If this film is a satire on American youth - where everyone is sixteen going on 42 then it works on this premise. However I don't believe for a moment that there is even a high school in Hollywood where all the kids talk in hyper-slang with perfectly polished sophisticated responses. This film could never be called realistic.
The only redeeming feature in this project is the lovely Emilie De Ravin who unfortunately plays the soon-to-be dead girlfriend Emily. If she played Laura she would have had more screen time and perhaps would have delivered the strange dialogue with more clarity than the actress who played her.
De Ravin is like a composite of Jodie Foster and Michell Pfeiffer when they were younger. And and yet far from reminding us of them, she also seems to possess an ethereal quality that transcend that initial impression - innocence corrupted springs to mind when I saw here in this flick. I hope this is the start of a glittering career for her.
Watch out pointy chinned Witherspoon!
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