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The Bourne Supremacy (2004)

PG-13 | | Action, Mystery, Thriller | 23 July 2004 (USA)
When Jason Bourne is framed for a CIA operation gone awry, he is forced to resume his former life as a trained assassin to survive.

Director:

Paul Greengrass

Writers:

Robert Ludlum (novel), Tony Gilroy (screenplay)
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Popularity
2,045 ( 458)
5 wins & 22 nominations. See more awards »

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Cast

Cast overview, first billed only:
Matt Damon ... Jason Bourne
Franka Potente ... Marie
Brian Cox ... Ward Abbott
Julia Stiles ... Nicky
Karl Urban ... Kirill
Gabriel Mann ... Danny Zorn
Joan Allen ... Pamela Landy
Marton Csokas ... Jarda
Tom Gallop ... Tom Cronin
John Bedford Lloyd ... Teddy
Ethan Sandler ... Kurt
Michelle Monaghan ... Kim
Karel Roden ... Gretkov
Tomas Arana ... Martin Marshall
Oksana Akinshina ... Irena Neski
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Storyline

After escaping from the emotional and physical pain he previously encountered. Jason Bourne and his girlfriend Marie begin a new life as far away as possible. But when an assassination attempt on Bourne goes horribly wrong, Bourne must re-enter the life he wanted to leave behind, in order to find out the truth why they are still after him. Written by Film_Fan

Plot Summary | Plot Synopsis

Taglines:

Sie nahmen ihm seine Identität. Jetzt will er sie zurück. (They took away his identity. Now he wants it back.) See more »


Motion Picture Rating (MPAA)

Rated PG-13 for violence and intense action, and for brief language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA | Germany

Language:

English | Russian | German | Italian

Release Date:

23 July 2004 (USA) See more »

Also Known As:

The Bourne Supremacy See more »

Filming Locations:

Los Angeles, California, USA See more »

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Box Office

Budget:

$75,000,000 (estimated)

Opening Weekend USA:

$52,521,865, 25 July 2004

Gross USA:

$176,241,941

Cumulative Worldwide Gross:

$288,702,062
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS | DTS (DTS: X)

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Unlike the James Bond franchise, all the devices that Bourne uses are real and can be purchased by the average citizen. See more »

Goofs

When Bourne is threatening Abbott he is clearly holding a pistol in his right hand (which he presses against Abbott's neck) while using his left hand to grasp Abbott's shirt collar. A few seconds later, with no way of switching, he is now holding the voice recorder in his right hand and uses his left hand to slam the pistol onto the table beside Abbott. See more »

Quotes

[first lines]
Conklin: [voiceover - memories] This is not a drill, soldier. We clear on that? This is a live project. You are go. Training is over. Training is over.
See more »

Crazy Credits

During the end credits the Marines are listed as Jarheads. See more »

Alternate Versions

The NBC TV network version does the usual time and content edits. The most obvious change is Abbott's suicide being shown off-screen with a cut to outside the building and the gunshot sound and audio of Pamela Landy's shock being heard, all contrary to the theatrical version which showed it in more intense detail. See more »

Connections

Featured in Honest Trailers: Taken (2015) See more »

Soundtracks

Ballade No. 4 in F minor Op. 52
(uncredited)
Composed by Frédéric Chopin
Played in the Hotel Brecker lobby
See more »

Frequently Asked Questions

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User Reviews

 
Very much a worthy sequel, every bit as good as 'The Bourne Identity'
19 June 2017 | by TheLittleSongbirdSee all my reviews

'The Bourne Identity' was a very pleasant surprise, giving a fairly well-worn genre a much needed freshness. It had its imperfections, but was a very solid and even very good film with much to recommend and introduced a cast-against-type Matt Damon in one of his best roles.

It is up for debate as to whether 'The Bourne Identity's' first sequel 'The Bourne Supremacy' is better or weaker. To me, both films are about equal with a couple of improvements at the same time being achieved in 'The Bourne Supremacy'. 'The Bourne Supremacy' may lack the freshness that most of 'The Bourne Identity' had, in terms of basic structure it's a little samey if not exactly routine. The editing, using the shaky camera technique that tends to not sit well with me, does have instances where it does get a bit dizzying and too much. Really didn't like how underused Franka Potente, who brought such a great gutsiness in 'The Bourne Identity' and her and Damon's chemistry doesn't have the chance to register.

As aforementioned, along the way there are improvements. The supporting cast have more rounded and better developed characters, with the actors having more to do. The final act in 'The Bourne Supremacy' is more cohesive, more consistent and less cliché-ridden than 'The Bourne Identity' got towards its end. There is also even more substance and emotion thanks to more emphasis on that and the plotting characterisation than the more action-packed (but still intelligent and exciting) 'The Bourne Identity'.

Visually, like 'The Bourne Identity', 'The Bourne Supremacy' looks slick and stylish with even more breath-taking locations. The editing and camera-work are not perfect, but mostly the technique did intensify the intensity and atmosphere and didn't make anything incomprehensible, some of it is used more artfully than most times shaky cam is used (too often abused to excessive lengths). When it was a problem it wasn't constant and more than not there wasn't a problem. And this, and in no way is this intended to sound superior or conceited, is coming from an epileptic.

Music score is even more dynamic, atmosphere enhancing and more layered this time round, while Paul Greengrass' drama-documentary style and background to his directing is used to full advantage. The script has more prominence here, and is sharp and intelligent without being too talky in a more script and plot heavy instalment. The story is exciting and thrilling with relentless pacing, poignant and dark emotion and with nothing too hard to follow.

Despite less of an emphasis the action is very diverting and choreographed and performed beautifully. The final action sequence and the subway scene have a real adrenaline-rush quality, and in no way does the action strain credibility or get too bombastic while still delivering splendidly on the fun and thrills to edge-of-your-seat effect.

All the characters engage and are interesting, with Bourne well-established in development and the supporting cast have more to do and in general are better utilised. Matt Damon continues to impress in a departure role that proves to be one of his best. In support, Joan Allen steals every scene she's in and Brian Cox is given room for more menace and dimension this time. Karl Urban is chillingly cold-blooded. Only the underusing of Potente disappoints in this particular element.

All in all, a worthy sequel that is just as good (on the same level pretty much) as its very good predecessor. 8/10 Bethany Cox


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