Having recovered from wounds received in a failed rescue operation, Navy SEAL Shane Wolfe is handed a new assignment: Protect the five Plummer kids from enemies of their recently deceased father -- a government scientist whose top-secret experiment remains in the kids' house.
Identical twins Annie and Hallie, separated at birth and each raised by one of their biological parents, later discover each other for the first time at summer camp and make a plan to bring their wayward parents back together.
Mia Thermopolis has just found out that she is the heir apparent to the throne of Genovia. With her friends Lilly and Michael Moscovitz in tow, she tries to navigate through the rest of her sixteenth year.
The Bakers, a family of 14, move from small-town Illinois to the big city after Tom Baker gets his dream job to coach his alma mater's football team. Meanwhile, his wife also gets her dream of getting her book published. While she's away promoting the book, Tom has a hard time keeping the house in order while at the same time coaching his football team, as the once happy family starts falling apart.Written by
Alright, Alright (Here's My Fist Where's the Fight?)
Written by Maria Andersson, Josephine Forsman, Johanna Asplund and Jennie Asplund
Performed by Sahara Hotnights
Courtesy of BMG Sweden AB, Stockholm See more »
Mom's parenting skills consist of having all the kids get into the bed with her like puppies. Indeed, when she goes away on tour and has to stay in a hotel, she rings up room service for a dozen pillows in order to get to sleep! Similarly, Dad's parenting skills amount to letting the kids do whatever they please, so the story is not about two parents with twelve children, but rather fourteen children, of which two are somewhat older. There is no structure to this family, and hence when Mom and Dad become distracted by new career choices, it starts breaking down rapidly into anarchy and chaos. The problem isn't the number of children or the new career choices, but that the parents have not provided a family structure sufficient to support any changes in direction or growth.
In short, the story misrepresents a poor example of parenting as though it was a good example, manipulating the audience with feel-good sentimentality at every turn, so that we will not notice how messed up and dysfunctional this family actually is. We are supposed to laugh at all their craziness and antics, the chandelier crashing from the ceiling, the kids slipping on vomit, the frog splattering breakfast on everyone, and so forth, and then feel good in the end, when love conquers all, and they return to the simpler life where they started. In other words, this is just mindless nonsense promoting stupidity and childish values. It has nothing in common with the 1950 film from which it takes its title.
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