6.2/10
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153 user 134 critic

Code 46 (2003)

A futuristic Brief Encounter (1945), this is a love story in which the romance is doomed by genetic incompatibility.

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Cast

Cast overview, first billed only:
Tim Robbins ... William Geld
Togo Igawa ... Driver
Nabil Elouahabi ... Vendor
Samantha Morton ... Maria Gonzales
Sarah Backhouse Sarah Backhouse ... Weather Girl
Jonathan Ibbotson Jonathan Ibbotson ... Boxer
Natalie Mendoza ... Sphinx Receptionist
Om Puri ... Bahkland
Emil Marwa Emil Marwa ... Mohan
Nina Fog Nina Fog ... Wole
Bruno Lastra ... Bikku
Christopher Simpson ... Paul
Lien Nguyin Lien Nguyin ... Singer in Nightclub
David Fahm David Fahm ... Damian Alekan
Jeanne Balibar ... Sylvie
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Storyline

Code 46 is a love story set in a Brave New World-type near-future where cities are heavily controlled and only accessible through checkpoints. People cannot travel unless they have "papeles" (papers in Spanish; words and sentences in many languages, especially Spanish, French and Chinese are mixed with English in this new world), a special travel permit issued by the totalitarian government, the "Sphinx". Outside these cities, the desert has taken over and shanty towns are jammed with non-citizens - people without IDs forced to live primitive lives. William is a family man who works as a government investigator. When he is sent to Shanghai to solve a case of fake IDs, he meets a woman named Maria. Although he realizes she is behind the forgeries, he cannot help but fall completely in love with her. He hides her crime and they have a wild, passionate affair that can only last as long as his visa: 24 hours. Back home, William is obsessed with the memory of Maria. When the original ... Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

In the future...love is a dangerous game. See more »


Motion Picture Rating (MPAA)

Rated R for a scene of sexuality, including brief graphic nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK

Language:

English

Release Date:

17 September 2004 (UK) See more »

Also Known As:

Código 46 See more »

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Box Office

Budget:

$7,500,000 (estimated)

Opening Weekend USA:

$20,170, 8 August 2004

Gross USA:

$285,585

Cumulative Worldwide Gross:

$886,018
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Mick Jones of The Clash sings the Clash song "Should I Stay Or Should I Go" in the karaoke-esque club scene, but he appears to get the words wrong. The song goes "If I go there will be trouble. If I STAY it will be double", but he sings "If I go there will be trouble. If I GO it will be double". See more »

Goofs

The numerous seeming "errors in geography" are actually an intentional artistic choice. Because the film is set in a future where global cultures have become thoroughly merged, Michael Winterbottom purposely blended footage shot in Shanghai, Dubai and Rajastahn so that Shanghai has a desert outside it, etc. See more »

Quotes

[first lines]
Title Card: code 46 / article 1 / any human being who shares the same nuclear gene set as another human being is deemed to be genetically identical. the relations of one are the relations of all. / due to IVF, DI embryo splitting and cloning techniques it is necessary to prevent any accidental or deliberate genetically incestuous reproduction. / therefore: / i. all prospective parents should be genetically screened before conception. if they have 100%, 50% or 25% genetic identity, they are not...
See more »

Crazy Credits

There is a looped animation running next to the names during the final credits. It shows a variety of things, including chromosomes, chromosome replication, and chemical structures. See more »


Soundtracks

Tehran
Music by Dario Marianelli
Published by Dario Marianelli
See more »

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User Reviews

 
Pleasing lack of visual noise
16 March 2005 | by netgrazerSee all my reviews

I liked how the movie didn't scream at me, trying to deafen me with whatever kind of message the actors and director wanted to convey... I had to work a little bit to see what there was to be seen - which I like, and I found the lack of CGI and laser guns thoroughly refreshing. The pace was right, and the music fit the mood of the movie.

The movie as a whole has a distinct human quality like I used to enjoy in those 50's sci-fi stories the way Philip K. Dick could write them. The same atmosphere that's usually gone in Dick's flashy Hollywood rewrites.

The intercultural lingo is a lot of fun to listen to, it's not too tacky and not too overdone, it sounds almost natural to me.

All in all a good 8 out of 10 stars from me. If there was more of a puzzle to be solved throughout the film (it does have you wonder where things are going in the beginning) I would have probably rated it even higher, because I like my stories a little mysterious and not too straightforward. I can imagine that some people find the acting slightly too bland for their tastes, but I feel it's far better to err on the side of caution than to produce another vehicle for overacting and improbable characters.


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