This reconstruction was obviously a labor of love. But it simply reinforces the uniqueness of film - a compendium of stills set to music is an entirely different medium - and makes the loss of London After Midnight and all other vanished films all the more heart-breaking. That's not to say there's no place for this kind of thing; certainly it was used in a positive way to fill in the gaps in the 1954 A Star Is Born. But to watch a reconstruction of an entire film becomes rather tedious. So, this is interesting, useful - but inevitably unsatisfying.
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