Young writer Sal Paradise has his life shaken by the arrival of free-spirited Dean Moriarty and his girl, Marylou. As they travel across the country, they encounter a mix of people who each impact their journey indelibly.
After a blurred trauma over the summer, Melinda enters high school a selective mute. Struggling with school, friends, and family, she tells the dark tale of her experiences, and why she has chosen not to speak.
Shaken by the death of his father and discouraged by his stalled career, writer Sal Paradise goes on a road trip hoping for inspiration. While traveling, he is befriended by charismatic and fearless Dean Moriarty and Moriarty's free-spirited and seductive young wife, Marylou. Traveling across the American southwest together, they strive to break from conformity and and search the unknown, and their decisions change the very course of their lives.Written by
Beat scholar Brian Hassett pointed out some of the multiple sources beyond the novel also used/referenced/seen in the movie: Director Walter Salles and screenwriter Jose Rivera used the scroll version of On The Road (published 2007), not the 1957 edition, as the working blueprint. And then all sorts of little touches were added from Neal, Jack & Allen's letters, Carolyn Cassady's autobiography, the 2 different LuAnne Henderson interviews, "The Town And The City," Jack's audio recordings and articles and notebooks, Allen Ginsberg's "Denver Doldrums," "Dakar Doldrums" and the "Martyrdom and Artifice" journals, John Clellon Holmes' "Go," Gifford & Lee's oral biography "Jack's Book" - all noticed specifically. See more »
Set in 1949, but the characters ride in a 1950 Hudson. See more »
The film was re-edited for North American release following its premiere at the Cannes Film Festival and its French theatrical release because, according to director Walter Salles, that version was "rushed". The new cut is thirteen minutes shorter but contains more scenes and Salles says he has no preference between the two. See more »
I agree with the earlier review ..."..our last chance to revisit it, even for a few hours, is taken away..." Yep. I read the book soon after its publication and, like the above reviewer, only remember the intensity, the poetry. My memory is that there was no real story line. But wonderful evocations of crossing the country in the old Hudson, at night...something about the feeling of being in that capsule. Just one of the many quibbles I have with this movie is that it showed us the Hudson speeding across the screen from left to right...an exterior view. Nothing of the romance of being in the car as it hurtled along. Lots of scenes of Dean driving dangerously, but that tells us something about Dean...that isn't what the book was saying about being in the car.
I graduated high school in 1957. I remember the hair cuts for girls...I was one of them. Marylou did not wear the cut shown in the movie. No long layers. Long hair , yes, but not long layers. That's very contemporary...It's distracting. Ever hear of "pin curls?"
Restaurant servers did not start saying "Enjoy" until at least the 90's. Remember the carefully recreated restaurant toward the end of the movie...the middle aged, somewhat overweight waitress in the red uniform? Never would she have said "enjoy."
I think some of the cars seen rushing from one side of the screen to the other in the early part of the movie were not available in the late 40's. Looked like Chevys from about 1953.
So much was carefully done...the paint peeling in the old Victorians when Victorians were low rent...yes! That very restaurant mentioned above.
Come on, there are lots of us still living. Hire a consultant next time.
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