6.9/10
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Veronica Guerin (2003)

Trailer
2:10 | Trailer
An Irish journalist writes a series of stories about drug dealers.

Director:

Joel Schumacher

Writers:

Carol Doyle (story), Carol Doyle (screenplay) | 1 more credit »

Cate Blanchett Through the Years

Take a look back at Cate Blanchett's movie and TV career in photos.

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Nominated for 1 Golden Globe. Another 3 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
Cate Blanchett ... Veronica Guerin
Gerard McSorley ... John Gilligan
Ciarán Hinds ... John Traynor
Brenda Fricker ... Bernie Guerin
Don Wycherley Don Wycherley ... Chris Mulligan
Barry Barnes Barry Barnes ... Graham Turley
Simon O'Driscoll Simon O'Driscoll ... Cathal Turley
Emmet Bergin Emmet Bergin ... Aengus Fanning
Charlotte Bradley Charlotte Bradley ... Anne Harris
Mark Lambert Mark Lambert ... Willie Kealy
Garrett Keogh Garrett Keogh ... Tony Gregory
Maria McDermottroe Maria McDermottroe ... Geraldine Gilligan
Paudge Behan Paudge Behan ... Brian Meehan
Joe Hanley Joe Hanley ... Eugene 'Dutchie' Holland
David Murray ... Charles Bowden
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Storyline

Based on a true story, this is about the Irish journalist Veronica Guerin (Cate Blanchett), a reporter for The Sunday Independent, who exposed some of Dublin's most powerful crime barons and drug lords in 1996. But later that year she was gunned down by assasins hired by the same criminal drug lords she exposed. Written by Andreas Furumo <andreas.furumo@bredband.net>

Plot Summary | Plot Synopsis

Taglines:

Why would anyone want to kill Veronica Guerin?


Motion Picture Rating (MPAA)

Rated R for violence, language and some drug content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Ireland | UK | USA

Language:

English

Release Date:

17 October 2003 (USA) See more »

Also Known As:

Chasing the Dragon: The Veronica Guerin Story See more »

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Box Office

Budget:

$17,000,000 (estimated)

Opening Weekend USA:

$611,276, 19 October 2003

Gross USA:

$1,571,504

Cumulative Worldwide Gross:

$9,439,660
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

The red car driven by Veronica, throughout the movie, is an Opel Calibra sports coupe. See more »

Goofs

All the telephones have the American 'Single' ringing tone, rather than the correct 'double' ringing tone. See more »

Quotes

Veronica Guerin: You think I want to do this, do ya? I don't want to do it, I have to do it!
See more »

Crazy Credits

Disclaimer in closing credits: "Chris Mulligan is a fictional composite character based in part on several different people, and certain events in which the character is depicted have been fictionalised for dramatic effect." See more »

Connections

Featured in Inside the Actors Studio: Episode #10.3 (2003) See more »

Soundtracks

Funeral Song
Written by Harry Gregson-Williams, Hugh Marsh, Patrick Cassidy and Trevor Horn
Produced by Trevor Horn
Performed by Sinéad O'Connor
See more »

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User Reviews

Praise be to the courageous journalist we can trust to keep our world safe...
14 October 2003 | by janyeapSee all my reviews

This biographical drama grips me so emotionally from the beginning to the end. The contents are so intense that I could literally feel the strain on my body muscles at its end. Cate Blanchett's performance as Veronica Guerin is top-notched. She brings out a character that Ireland can proudly call a true daughter. Guerin was one journalist whose professionalism and belief prevented her from kowtowing to any corrupted system - even the threat of death. Director Joel Schumacher has created a powerful movie that pays true honor to Guerin.

This film has a superb cast of actors. Their characters come through the screen as very real people. Gerard McSorley's impressive performance as John Gilligan will be unforgettable. Oh yes, watch out for Colin Ferrel's cameo. Director Joel Schumacher's way of introducing the audience to the Sunday Independent newspaper's investigative journalist is so appropriate. It generated my curiosity and urge to get behind the uncanny story of the martyred icon. Yep, I was mesmerized by the Guerin character, following and watching every move and act this energetic woman made – up to a point I started gasping with disbelief. Then the flashback followed. Oh yes, every scene flowed with immense power and spirit to document Guerin's suicidal fanaticism and mission. In a very impressively dramatic, yet easy-to-follow, well paced-way, the story of Guerin's background unfolds. I witnessed the type of dangerous and trouble-filled environment facing her. I saw her as a workaholic mother, surrounded by loving family members who were willing to compromise to her very unconventional traits. I was given hints that there was a softer side within her that she refused to make public. The film provides very subtle indications that speak of Guerin's unusual urge to stay a winner – even as a young girl.

This film carries enough shocking scenes to make me understand the driving force behind her seemingly senseless acts. Every word in the dialogue did fill the gap, offering me a better understanding of her character. Blanchett definitely breathes life into the Guerin character with phenomenal credibility and vitality, allowing her personality to shine with such unique journalistic dedication, honesty, courage, determination and obsession. What I see on screen is a woman with true guts – an absolute winner. `I vow that the eyes of justice, the eyes of this journalist will not be shut again,` Blanchett's character has said. `No hand can deter me from my battle for the truth.' Repeatedly, I saw her facing death threats and physical attacks. My anxiety continued to crush me as I watch the evil surrounding her.

Does it always have to take a murder of a tenacious person to channel out public outcry, disgust and legislative actions to fight a crime? Veronica Guerin paid a price for devoting her career and life to exposing Dublin's drug barons and underworld leaders. I salute her. Like Bob Woodward and Carl Bernstein, she belongs to the best category of journalists who will make the world a safer place to live. This film captures the same vitality as the inspirational ‘Bloody Sunday.' It's definitely a film not to miss.

A+


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