A wealthy attorney i San Juan, PR, comes to the police station for "10 min." of follow up questions to finding a 12 y.o. girl's body in a park. Another 12 y.o. girl was also raped and murdered weeks earlier. Evidence points at him. Guilty?
A suicidally disillusioned liberal politician puts a contract out on himself and takes the opportunity to be bluntly honest with his voters by affecting the rhythms and speech of hip-hop music and culture.
The story's hero (played by Jim Metzler) has lost much of his spine and the love of his life, due to cancer. He's in remission; but decimated in body, shattered in mind, and separated from ... See full summary »
The film philosophical approach at redemption. The protagonist Manual Jordan has gotten parole from a life sentence for the murder of Abner Easley, and returns to the city he lived in to try to seek redemption. He ends up living and working at a community house run by a preacher, Miles Evans. The film is equipped with beautiful voice-overs about the meaning of life and different philosophies for getting redeemed. Manual also becomes friends with Adele Easley, his victims sister, in an attempt to make up for what he did. While working at the home he has interactions with Sofia Mellinger, the druggie daughter of a famous singer, struggling with the lack of adult guidance in her life.Written by
While some have commented that Morgan Freeman's voice changes dramatically throughout the film, it is a major plot point that he is living a lie, living under an assumed identity and not particularly good at it.
It is related to the theme of doing good, even though you may not be particularly good at it, nor be able to continue doing it for very long. It sounds unnatural for Morgan because it is unnatural for his character. See more »
How does one make things right? Seek forgiveness? Where does redemption reside and how do you get there? How does a wounded soul reconcile guilt? This is a slow and thoughtful character study set during a grim and dreary winter in an urban town. This is not a Hollywood movie. It's raw with real life. It's apparent ugliness is its sheer inescapable beauty. Morality does exist no matter how we try to hide. Thornton, after spending over 20 years in prison for the murder of a young convenience store clerk during a robbery gone haywire in his youth, is drawn to return to his old neighborhood to visit the older sister of the young man he killed, played by Holly Hunter. She doesn't quite know who he really is since so many years have gone by. Thornton was content to live out his remaining years behind bars but must now face his past because his sentence was suddenly commuted. Bleak with melancholy, this type of film gets shunned by audiences and it's a shame. Morgan Freeman plays a mysterious soup kitchen minister who has his own issues, whom Thornton comes to work for. Freeman is a natural actor and believable in any role. The story unfolds slowly without gimmicks. At times, Thornton happens to find himself visited by the ghostly apparition of the young man whom he killed, while he is in the process of seeking resolution and atonement. His simple desire is to somehow make amends. He wants to be forgiven but, strangely, he is unable and unwilling to forgive himself. Unfortunately, unresolved redemption seems to be too deep a theme for contemporary audiences who are hooked on chills and thrills and pyrotechnics. This is an independent film, the kind that many people just don't get. A movie for your quiet time or a rainy night. Something different and refreshing. And no silly happy ending to mar the proceedings.
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