When two brothers organize the robbery of their parent's jewelry store the job goes horribly wrong, triggering a series of events that sends them, their father and one brother's wife hurtling towards a shattering climax.
A New York City narcotics detective reluctantly agrees to cooperate with a special commission investigating police corruption. However, he soon discovers that he's in over his head, and nobody can be trusted.
A street-wise, middle-aged moll named Gloria stands up against the mobs, which is complicated by a six-year-old urchin with a will of his own who she reluctantly takes under her wing after ... See full summary »
Needing extra cash, two brothers conspire to pull off the perfect, victimless crime. No guns, no violence, no problem. But when an accomplice ignores the rules and crosses the line, his actions trigger a series of events in which no one is left unscathed.Written by
Michael Shannon recalled that when he came to audition Sidney Lumet prompted him to read only one line before telling him he was excused. An uncertain Shannon got up to leave and overheard Lumet immediately tell the casting director, "That's who I want." See more »
When Charles phones the police department looking for Detective Barrett to check up on his wife's case, the phone is answered by the greeting "22nd Precinct". The 22nd Precinct is the NYPD Central Park Precinct in Manhattan. Follow-up on a case out of Westchester, where the crime took place, would either be a Brooklyn precinct since we learned that Bobby LaSorda was from Red Hook, Brooklyn or with the Midtown North Precinct (also known as the 18th), the home of NYC's diamond district, the most likely known destination for the would-be stolen loot within local NY law enforcement. There would be no reason to phone the Central Park Precinct. See more »
As a last film for a truly legendary director, Before The Devil Knows You're Dead can only be described as a haunting, underrated masterpiece that any viewer will not soon forget.
The film consists of an all-star cast, including the likes of the late Phillip Seymour Hoffman, Ethan Hawke, Marisa Tomei and Albert Finney. Even Michael Shannon shares a brief, but memorable, bit of run time. The casting was excellent all around and there were no characters that felt out of place or unnecessary to the story. Phillip Seymour Hoffman and Ethan Hawke specifically were the best either of them have ever been. The solid script and carefully written dialogue shared between the two main characters delivers some of the film's most riveting moments. And the "car scene" is one of Hoffman's most memorable on-screen moments. Those of you who have seen the film will know what I am referring to and those unaware are in for a treat.
The story, while simple and admittedly not too original, manages to effectively show the characters' descent into violence and madness while jumping to before and after the event in which the movie revolves around. While sometimes the movie holds our hand a little too much with the story telling, I appreciated the fact that this movie wanted us to never be confused or lost within the time-jumping narrative. I was always aware of where our characters were and what point of the story I was witnessing.
Now I have seen many comparisons between this film and the masterpiece known as Fargo, and while it shares the same theme of "simple crime gone horribly wrong" Before The Devil Knows You're Dead is not a darkly comedic venture. In fact, this movie is rarely anything but somber and hopeless. This is not a bad thing though as it seems that this was the director's intent. Delivering a powerful message through spurts of violence and intensity while never straying from the realm of reality within the movie. The violence and thrills are handled very well and are, at times, extremely intense.
Now with all that said, there is only one thing that stopped the movie from being perfect and that is the ending. Normally when following characters throughout a movie we like to see how their story ends. It is common in all basic story telling. The importance of this cannot be stressed enough, especially if we are following a certain character throughout the entire film. Viewers want to know what happened to the character they have been following for the past two hours, but this movie denies you of that. It leaves the fate of the character out of view, and while that works for some movies, I sadly don't think it was the right choice here. Seeing all the things that this character has gone through and leaving it unfinished before the movie is over feels incredibly abrupt and doesn't fit with the rest of the movie.
Despite this issue, Before The Devil Knows You're Dead is a masterpiece from a truly talented director. A tight written script brought together by superb acting and thrills, this is definitely a movie you should make time for.
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