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Irréversible (2002)

Not Rated | | Crime, Drama, Mystery | 22 May 2002 (France)
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1:33 | Trailer
Events over the course of one traumatic night in Paris unfold in reverse-chronological order as the beautiful Alex is brutally raped and beaten by a stranger in the underpass.

Director:

Gaspar Noé

Writer:

Gaspar Noé
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932 ( 168)
3 wins & 10 nominations. See more awards »

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Cast

Cast overview, first billed only:
Monica Bellucci ... Alex (as Bellucci)
Vincent Cassel ... Marcus (as Cassel)
Albert Dupontel ... Pierre (as Dupontel)
Jo Prestia ... Le Tenia (as Prestia)
Philippe Nahon ... L'homme (as Nahon)
Stéphane Drouot Stéphane Drouot ... Stéphane (as Drouot)
Jean-Louis Costes Jean-Louis Costes ... Fistman (as Costes)
Mick Gondouin ... Mick (as Gondouin)
Mourad Khima Mourad Khima ... Mourad (as Khima)
Hellal Hellal ... Layde
Nato Nato ... Commissaire
Fesche Fesche ... Chauffeur Taxi
Jara-Millo Jara-Millo ... Concha (as Jaramillo)
Le Quellec Le Quellec ... Inspecteur
Isabelle Giami Isabelle Giami ... Copine d'Alex enceinte (as Giami)
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Storyline

Events over the course of one traumatic night in Paris unfold in reverse-chronological order as the beautiful Alex is brutally raped and beaten by a stranger in the underpass. Her boyfriend and ex-lover take matters into their own hands by hiring two criminals to help them find the rapist so that they can exact revenge. A simultaneously beautiful and terrible examination of the destructive nature of cause and effect, and how time destroys everything. Written by Denny Gibbons

Plot Summary | Plot Synopsis

Taglines:

Time destroys everything


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France

Language:

French | Spanish | Italian | English

Release Date:

22 May 2002 (France) See more »

Also Known As:

Irreversible See more »

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Box Office

Opening Weekend USA:

$60,086, 9 March 2003

Gross USA:

$792,200

Cumulative Worldwide Gross:

$6,479,328
See more on IMDbPro »

Company Credits

Production Co:

120 Films, Canal+, Eskwad See more »
Show more on IMDbPro »

Technical Specs

Runtime:

|

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Among the albums visible in Alex's record collection are Brainticket's "Cottonwoodhill" and Cream's "Disraeli Gears." See more »

Goofs

As the subway arrives, Pierre describes it as blue. Actually it is green and white. See more »

Quotes

Alex: I've been reading the most amazing book.
Marcus: So what is it?
Alex: It says that the future is already written. It's all there. And the proof lies in premonitory dreams.
Pierre: Wow! It's putting us to sleep already!
Marcus: Even dreams are bad news.
Pierre: I often dream I'm sleeping. It's my only dream.
Alex: Well, at least you relax!
See more »

Crazy Credits

The capital letter "E" is written backwards in the credits. See more »

Alternate Versions

The Hong Kong version is cut (despite being given a Category III rating, meaning under 18s are prohibited from watching this film) for nudity and sexual violence. Most genitalia is blurred or pixelated except for the digital penis. Alex's rape is butchered by 5 mins. Le Tenia rapes Alex and all of a sudden, he is lying beside her! See more »

Connections

References Bram Stoker's Dracula (1992) See more »

Soundtracks

Symphony No. 7 in A Major op. 92
Written by Ludwig van Beethoven (as Beethoven)
Koka Media
See more »

Frequently Asked Questions

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User Reviews

 
more than the sum of its shocks
10 July 2005 | by Jonny_NumbSee all my reviews

I'm a sucker for film-world hype--always have been, and probably always will be. When I stumble across a film that is so controversial it inspires both gasps of horror and cheers of praise, I flock to it. There is something intriguing about film's capacity to house unpleasantness, and just how far a director will go in conveying his message (it's always interesting to see whether or not they have a justified reason for the excess). "Irreversible," the backward-structured film from French shock auteur Gaspar Noe ("I Stand Alone") spins you out of control with as much regularity as his camera and characters will allow. It's a curious piece of work designed to provoke the audience--at the beginning, you're disoriented and confused (and, if you're like me, getting carsick from the deliberately erratic camera movements), and even repulsed by the actions of the unfamiliar characters hassling the patrons of a seedy homosexual club, a sequence that ends with a ghastly murder. Okay, then, so what? Clearly the rest of the movie is going to give us an explanation...but would the film have had a similar effect if it were told in a straightforward manner? Is the backward motion of "Irreversible" just a gimmick used by Noe (who is not immune from snobbery and pretension) to draw attention to his film? It's hard to say. Personally, I reject the notion of the reverse storyline being used as a gimmick, simply because of how deliberately the previous pieces fit (certain passages of dialog, particularly a discussion of orgasms that serves as a prelude to one of the most horrifying rape scenes in film history); Noe certainly wasn't asleep in his construction of the film. "Irreversible" displays the type of oppressive misanthropy (the dialog is loaded with racial and homophobic slurs) evidenced in Noe's "I Stand Alone" (the tale of an out-of-work butcher driven to madness by everyone around him), but then pulls back from the hard-edged violence to show a tender humanity that might be even more startling, since the film could have easily played itself for nothing but shock value the entire time. "Irreversible" is an unsettling conundrum that guides us through the highs and lows of the human condition--it pushes buttons of morality, shows in graphic detail what others would only suggest, and brings us out the end of the tunnel exhausted, invigorated, and breathless. A stunning film, somewhat hampered by its excessive dialog.


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