When Kimberly has a violent premonition of a highway pileup she blocks the freeway, keeping a few others meant to die, safe...Or are they? The survivors mysteriously start dying and it's up to Kimberly to stop it before she's next.
After discovering a passenger ship missing since 1962 floating adrift on the Bering Sea, salvagers claim the vessel as their own. Once they begin towing the ghost ship towards harbor, a series of bizarre ocurrences happen and the group becomes trapped inside the ship, which they soon learn is inhabited by a demonic creature.Written by
Was the first Dark Castle Entertainment horror film released to be based on an original concept, as the original idea for the company was to remake William Castle horror films which the previous few films were. Though it was still critically panned like their previous releases. See more »
Maritime law on salvage at sea is not "finders, keepers" as stated. The amount awarded to the finders by a salvage court is typically a percentage of the value of the ship and cargo. See more »
I can't hold her much longer, Murph. Port bow is heeling. She's taking on way too much water.
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The opening logos are tinted brown, and the typical Warner Bros. logo is instead an intentionally chintzy 60s style logo. All this ties into the infamous cruise ship opening. See more »
The film was released in Germany in both its uncut form (rated "Not under 18") and in an edited version ("Not under 16"), which misses many gory shots (i.e. from the wire scene in the beginning, the squashed diver or the "hooked up" singer). For commercial reasons most cinemas showed the cut version. See more »
With visions of riches spinning in their heads, a group of irritating boat salvagers set out to explore what's left of a luxurious passenger ship lost for over forty years on the high seas. Given that this film is a horror flick, the viewer understands from the beginning that the ship has an array of spooky surprises waiting for our adventurous fools.
The initial problem with this film is the salvagers themselves. They are not remotely interesting. They are stereotyped, stick-figure characters inserted to advance the preconceived horror plot.
As a ghost story, "Ghost Ship" lacked suspense, at least to me. The film's gore and hokey supernatural element were overdone, too obvious and direct. To create suspense, the filmmaker needs merely to hint at the presence of a lurking terror, and to slowly build anticipation, on behalf of characters we know and care about. This film thus suffers the same problems that plague so many modern films ... lack of character development and lack of subtlety. The unfortunate irony here is that the film's huge budget allowed the filmmaker to spend money on explosions, stunts, and other elements that actually lowered the suspense.
On the other hand, the set pieces were impressive, giving the ocean liner and the tug boat a sense of visual authenticity. And I liked the plot twist toward the end.
In summary, the film's concept was intriguing and the story had potential. But an absence of sympathetic characters and an overemphasis on expensive cinematic gimmicks combined to lower the suspense, and render a film that was fat and impersonal.
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