A depressed woman learns that her husband was killed in a car accident the previous day, then awakens the next morning to find him alive and well at home; then awakens the day after that to find that he's dead.
A lonely doctor, who once occupied an unusual lakeside house, begins exchanging love letters with its former resident, a frustrated architect. They must try to unravel the mystery behind their extraordinary romance before it's too late.
Siddalee, a famous New York playwright, is quoted in Time magazine and infuriates her dramatic, Southern mother. A long-distant fight wages until her mother's friends (and members of the Yaya Sisterhood) kidnap Siddalee and take her "home" to the South, where they hope to explain her mother's history and to patch up the rift between mother and daughter.Written by
At the beginning the license plate on the car says Louisiana 1937 See more »
When Sidda is talking on the phone to Conner in her bed, the blankets that cover her move about inconsistently between shots. See more »
I am sick of fighting! And, I am sick to death of this whole center of the universe, holier than thou, nothing is ever enough. Oh, how I've suffered, nobody understands me. Somebody fix me a drink and hand me a Nebutol, worn out Scarlett O'Hara... thang!
Well, she's got her pegged, all right.
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After all the hype and comparisons to 'Steel Magnolias', 'Divine Secrets of the Ya-Ya Sisterhood', sadly, did not do much box office, which was a shame, as it is a more intimate, realistic vision of women and life-long friendships than the glossier 'Magnolias'.
Four girl friends in Louisiana create a secret sisterhood in 1937, swearing eternal devotion to each other, and they remain best friends through all the triumphs and tragedies in their lives. When the daughter of one of them (Sandra Bullock), a successful playright, has an interview with Time magazine in which she condemns her mother's impact on her life, the mother (Ellen Burstyn, who is superb!) goes ballistic, cutting the daughter out of her life, totally. In charges the other members of the Sisterhood, kidnapping Bullock, and attempting to make things right!
The film then jumps back and forth in time, with Ashley Judd playing the younger Burstyn. She has a lot of happy adventures with her Ya-Ya sisters, but also has to deal with racism, a jealous religious zealot of a mother, an overly loving father (David Rasche, breaking free of his usual comic roles), a true love who dies in WWII, and a family with a guy she 'settles' for (played, in present day, by the wonderful James Garner). There is also a dark secret that is the core of the mother/daughter alienation, which must be dealt with in order for the rift between Bullock and Burstyn to heal (No, I will NOT give it away!)
If you do the math about the years covered, you realize the present-day story SHOULD be taking place in the seventies, at the latest, but this doesn't hurt the overall effectiveness of the picture. As the other present-day sisters, Fionnula Flanagan, Shirley Knight, and (especially) Maggie Smith are WONDERFUL, as is Angus MacFadyen, as Bullock's sympathetic and likable fiance.
While this is unabashedly a 'chick flick', something I really liked was that they DIDN'T fall back on that old chestnut of somebody dying to serve as a convenient catalyst for change and the healing process. And the dialog is full of wickedly hilarious one-liners about men, alcohol, friendship, and growing old!
Don't miss this gem!
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