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Punch-Drunk Love (2002)

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2:31 | Trailer
A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
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2,394 ( 245)
Nominated for 1 Golden Globe. Another 14 wins & 36 nominations. See more awards »

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Cast

Cast overview, first billed only:
Adam Sandler ... Barry Egan
Jason Andrews Jason Andrews ... Operator Carter (voice)
Don McManus ... Plastic (voice)
Emily Watson ... Lena Leonard
Luis Guzmán ... Lance
David Schrempf David Schrempf ... Customer #1
Seann Conway Seann Conway ... Customer #2
Rico Bueno ... Rico
Hazel Mailloux Hazel Mailloux ... Rhonda
Karen Kilgariff Karen Kilgariff ... Anna (voice)
Julie Hermelin ... Kathleen
Salvador Curiel Salvador Curiel ... Sal
Jorge Barahona Jorge Barahona ... Jorge
Ernesto Quintero Ernesto Quintero ... Ernesto
Julius Steuer Julius Steuer ... Mechanic
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Storyline

Barry Egan hates himself and hates his life. The only male among eight siblings, Barry is treated poorly by his overbearing sisters. Despite owning his own business, he has gotten nowhere in life largely because of his insecurities. He leads a solitary life, which allows him to hide his violent outbursts that occur when he's frustrated. His solitude however allows him to think, he stumbling upon a scheme to travel the world on a pittance, travel which he has never done. Concurrently, he meets two people who pull him in two different directions. The first is Lena Leonard, a friend of his sister Elizabeth. Barry is slow to realize that Lena is attracted to him, he making her make all the first moves. Lena is eventually able to get Barry out of his shell, she who sticks around despite his obvious problems. His burgeoning relationship and thus new life with Lena is threatened by the second, "Georgia", who he contacted in an effort to alleviate his loneliness. Georgia and her "band of ... Written by Huggo

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated R for strong language including a scene of sexual dialogue | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

1 November 2002 (USA) See more »

Also Known As:

Just Desserts See more »

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$367,203, 13 October 2002

Gross USA:

$17,844,216

Cumulative Worldwide Gross:

$24,665,649
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital EX | SDDS | DTS-ES

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Anderson deliberately wanted to make a very different film after the rigors of making Magnolia (1999). He felt he had reached a dead end with his previous multi-character movies and he also wanted to subvert the critics' expectations of his films. See more »

Goofs

During the first conversation between Dean and Barry, we see palm trees outside the mattress shop in Provo, Utah. Palm trees do not grow in Provo, Utah. See more »

Quotes

[first lines]
Barry: Yes, I'm still on hold.
Phone Rep: And what was this?
Barry: I'm looking at your advertisement for the airline promotion and giveaway.
Phone Rep: Ah, the 10 for 1 mile plan...
Barry: Yeah, it's hard to understand, because it says "in addition to". But I can't exactly understand in addition to what? Because there's actually nothing to add to.
Phone Rep: I think that's a typo then.h
Barry: Okay, so just to clarify - I'm sorry - 10 purchases of any of your healthy choice products equals 500 miles, and with the coupon, the same purchase ...
[...]
See more »

Crazy Credits

The Revolution Studios and New Line logos don't appear until the end of the movie. Only the Columbia Pictures logo appears at the beginning. Columbia only distributed the film. See more »

Connections

Referenced in Bad Movie Beatdown: Grown Ups (2011) See more »

Soundtracks

Danny (Lonely Blue Boy)
Written by Ben Weisman and Fred Wise
Performed by Conway Twitty
Courtesy of Universal Records
Under license from Universal Music Enterprises
See more »

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User Reviews

 
A slight departure from P.T. Anderson's `usual'
20 April 2004 | by FilmOtakuSee all my reviews

Being a big fan of P.T. Anderson's work since I saw `Boogie Nights' (about 3 times in one week at the theater) years ago, I anxiously awaited the release of his latest film. Then I heard it starred Adam Sandler, who is one of my least favorite actors of all time, but even then I figured that if anyone is going to make me not want to start throwing things at Sandler's image, it would be Anderson. After all, he got me to respect Tom Cruise after seeing `Magnolia'. When I finally got to see the film this past weekend (after wanting to see the film for about a year) I wasn't disappointed, and I found that my trust was not misplaced. Anderson took Sandler and turned him into a sad sack who is so psychologically screwed up he would be an analyst's dream. Emily Watson is his perfect counterpart as a classy yet extremely quirky love interest.

The content is pure P.T. Anderson. There are issues that are brought up that are completely bizarre and unexplained, and there are themes that are culled from real-life stories or incidents. Stylistically, it's a slight departure in that it isn't quite as flashy or `slick' as his last two films, but the bright primary colors that pervade the cinematography are absolutely beautiful. And instead of the steady 70's and 80's soundtrack that he usually utilizes, he kept it more simple this time, and just as inspired with the continuous running of `He Needs Me' from the `Popeye' soundtrack. That touch was not only fitting, but also simply brilliant.

I love the work of P.T. Anderson, and was absolutely charmed and endeared to this film. Just like `Eternal Sunshine of the Spotless Mind' isn't going to make me watch a Jim Carrey comedy, I'm still going to avoid Adam Sandler comedies like the plague, but I have to say that I respect him for his work in this film. This is the kind of romance film I like, and I recommend it to anyone who doesn't settle for the kind of romantic comedy/dramas that are churned out now by Hollywood.

--Shelly


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