Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding. But, when his insta-bond with his new B.F.F. puts a strain on his relationship with his fiancée, can the trio learn to live happily ever after?
Devastated Peter takes a Hawaiian vacation in order to deal with the recent break-up with his TV star girlfriend, Sarah. Little does he know, Sarah's traveling to the same resort as her ex - and she's bringing along her new boyfriend.
Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adult film together. As the cameras roll, however, the duo begin to sense that they may have more feelings for each other than they previously thought.
The setting is Camp Firewood, the year 1981. It's the last day before everyone goes back to the real world, but there's still a summer's worth of unfinished business to resolve. At the center of the action is camp director Beth, who struggles to keep order while she falls in love with the local astrophysics professor. He is busy trying to save the camp from a deadly piece of NASA's Skylab which is hurtling toward earth. All that, plus: a dangerous waterfall rescue, love triangles, misfits, cool kids, and talking vegetable cans. The questions will all be resolved, of course, at the big talent show at the end of the day.Written by
Sujit R. Varma
While Coop (Michael Showalter) is listing for Katie (Marguerite Moreau) all the reasons he loves her, one of the things he says is "I love it that sometimes for no reason you're late for shul." "Shul" is a Yiddish term that refers (sometimes colloquially) to a Jewish house of worship (also known as a synagogue or a temple). See more »
When Neil is rafting down river with the campers, as he gets out of the raft, a cable can be seen attached to the back of the raft. See more »
"It's fun to get away from the camp, even if it's just for an hour."
The strangest point in this film is a point, about a half hour through, when all of the seemingly normal camp counselors go out in to the city. In a montage shot, they slowly go from reading books at the library, to smoking cigarettes, to smoking joints, to buying cocaine from a guy on the street, to becoming prostitutes, then becoming strung out heroin-addicts at the local crack house. This is not your parent's parody movie.
From this point on, the film is never the same. Seemingly normal character development goes out the window, and characters jump from one complete different personality to another within seconds. We get brilliant lines of dialogue that could only be brought from members of The State, like: "Hey, there's a problem. I've got something I need to tell you." "Oh no! You have crabs." "No. Well, yeah, but that's not the problem." "Oh good."
Pure genius!!! Why don't more comedies have lines of dialogue like this?
Some other great points: "There is a way we could save everyone's lives. Well, no that couldn't work. In order for it to work, we would need to have a device that could randomly generate numbers between 1 and 20." "That's impossible. That would take some sort of highly advanced supercomputer to work." "Not necessarily. No dungeon master goes anywhere without his...20 sided die."
I sort of wish I had known what films were being parodied in this movie. I saw strands that sort of matched what I had seen from old Summer Camp movies I had seen back in high school during the wee hours in the morning during comedy central. But, there were many things here that seemed like they must be references to other films. Oh well. It's just all crazy.
Anyway, I guess I should say that this isn't a really good...movie, per se, but...well, I have no excuses for it. Wet Hot American Summer rules! Dolphins suck it!!!
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