Matthew Barnes is a young exec on the move up who finds himself a pawn in corporate in-fighting when he's sent to London to oversee a merger. He's to replace John Gissing; Gissing's gotten ... See full summary »
A bickering couple drive fast through a downpour to catch the last ferry to their island retreat. In a flash, they recognize a crumpled body laying at the side of the road after much ... See full summary »
The annual British Hairdressing Championship comes to Keighley, a town where Phil and son Brian run a barbershop, and where Phil's ex-wife Shelly and her lover Sandra run a beauty salon, yet Phil and Shelly haven't talked in the ten years since she bolted. Shelley's just found out her cancer is terminal, and Ray Roberts, the reigning underhanded hairdressing champion, blows into town taunting Phil for retreating from competitive styling into barbering. Roberts also brings his daughter, Christina, who remembers Brian from when she was a little kid (as does he her). Everything's set: Brian decides to enter the competition with his mom and Sandra. Will Phil join in? Ray wants to win at any costs. Will Christina go along?Written by
I'm A Wonderful Thing Baby
Written by Kid Creole (as Darnell) / Schott
Published by 1982 Zem Sounds / Schott in the Dark Music / Adalee Music
Performed by Kid Creole and The Coconuts
(p) 1982 Puddle Records Inc.
Produced under license from Warner Bros Records Inc. See more »
Alan Rickman is wonderful in this movie. In many of his more well-known films, he is required to be obvious with his brooding nature. This film is much more subtle, and Rickman pulls off an incredibly believable character and demonstrates a range that we rarely see from him. Rachael Leigh Cook is highly underused. She needed to have been given more prodding from the director to bring her true acting talents out (her hair is also atrocious for a movie supposedly about "hair"). Cook often has great chemistry with actors, but her relationship with Hartnett falls a bit flat. The other actors (especially Natasha Richardson) do extremely well. The plot is wonderfully simple. The "competition" arch is played out very well without feeling as though we have seen this before. The romantic triangle is great, and the relationship between Sandra and Shelley (Grffiths and Richardson) is sweet. The homosexual element is understated and is never politicized. The comedy is subtle and occasionally hilarious, but the drama is the true reason to see this film.
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