Francisco Goya (1746-1828), deaf and ill, lives the last years of his life in voluntary exile in Bordeaux, a Liberal protesting the oppressive rule of Ferdinand VII. He's living with his ...
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Year 1974, Spain. Felipe (Fernando Ramallo) is a teenager who travels with Lorenzo (Antonio Resines), his widowed father. Their only property is the Citröen DS with which they go from one ... See full summary »
Emilio Martínez Lázaro
Ramiro Forteza, a goalkeeper in the Spanish Premier League, is forced by the rigors of the Civil War and the postwar period to earn a living in small villages, challenging the locals to ... See full summary »
Angela and her young son Guille travel to the big city to see Leo, her father and the boy's grandfather, when he suddenly takes ill. However, they arrive to discover that he has just passed... See full summary »
April, 1940. Manolo, 16 years old, and Jesus, who is just 8, are taken by their older brother Pepe, a lieutenant in the Army, to a sanatorium for children suffering from tuberculosis, ... See full summary »
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Francisco Goya (1746-1828), deaf and ill, lives the last years of his life in voluntary exile in Bordeaux, a Liberal protesting the oppressive rule of Ferdinand VII. He's living with his much younger wife Leocadia and their daughter Rosario. He continues to paint at night, and in flashbacks stirred by conversations with his daughter, by awful headaches, and by the befuddlement of age, he relives key times in his life, particularly his relationship with the Duchess of Alba, his discovery of how he wanted to paint (insight provided by Velázquez's work), and his lifelong celebration of the imagination. Throughout, his reveries become tableaux of his paintings.Written by
Strange coincidence: the actor Francisco Rabal not only plays the old Goya but in real life also died in Bordeaux, in 2001, two years after premiering the film. See more »
In some copies on the film, when Goya's daughter Rosario is showing him her drawing, sitting on an easel in the background we see "La lechera de Burdeos/The Milkmaid of Bordeaux", one of the artist's last paintings. The image we see is reversed - the milkmaid is facing to the right and in the original she faces to the left. This is so due to the fact that the negative of some DVDs and some release prints is inverted in a brief middle section of the film that includes this scene. Another scene is that in which he is commissioned to paint the frescoes of San Antonio de la Florida Chapel. See more »
I have never heard of this film, never heard of this director, but a friend shoved a VHS copy in my hand and said, "WATCH THIS!" After watching it, I am still spellbound enough to comment on it.
While I can't say I will bow down in awe to Saura, I was certainly captivated by his work with this film. GOYA is a glimpse into the artist's influences, his fears, and his feelings; it is a glimpse into the artistic process. I found Goya's journey fascinating, and I especially appreciated the non-linear storytelling approach. Rather than barreling through a series of events that define WHY Goya is the way he is and why he painted the way he did, the audience is, in effect, putting together the pieces of a big emotional puzzle. And how the puzzle fit together or didn't fit together was really what kept me enthralled for two and half hours.
Anyone interested in art should pick up this film.
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